Mako Mori (
driftseeker) wrote in
bigapplesauce2015-08-12 09:30 pm
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Entry tags:
missing exits, missing people, recognizing geometric shapes [open to multiple]
Echoes of Raleigh, listen to me sing a horrifying chorus as her brother is ripped from the Conn-Pod, torn away with his life skewered on teeth larger than anything, his mind a shrieking turmoil of fear and agony and despair -
Mako wakes with a sharp intake of breath.
She doesn't have a brother.
She sits up in the bed in the apartment Gabe was kind enough to offer her, green like he said it would be to match the curtains framing the window, where the watery predawn light filters in to fall in puddled disarray over the rumpled sheets.
She braces hands to her temples.
She doesn't have a brother. She doesn't have a brother.
Mako jerks the covers back and pads to the kitchen, rattling around in a frantic attempt to fall into some morning routine. It is not until the loud groan of the coffeemaker pierces her ears that she realizes she does not start the morning with coffee. She starts with tea, Darjeeling black, and Raleigh would drum his fingers against the countertop impatiently, absently, as he waited for the grind of the beans to halt and the rhythmic drip of the machine to begin.
Coffeemaker abandoned, Mako flees into the outside world with its rush of cars and dizzying lights. She does not have much by the way of clothing, just essentials, simple and utilitarian.
She reads the name of the place at which she finds herself. Wilmot's.
She needs a drink.
No she doesn't. Raleigh needs one.
Mako has to sit down and order, and then she puts her head in her hands.
Mako wakes with a sharp intake of breath.
She doesn't have a brother.
She sits up in the bed in the apartment Gabe was kind enough to offer her, green like he said it would be to match the curtains framing the window, where the watery predawn light filters in to fall in puddled disarray over the rumpled sheets.
She braces hands to her temples.
She doesn't have a brother. She doesn't have a brother.
Mako jerks the covers back and pads to the kitchen, rattling around in a frantic attempt to fall into some morning routine. It is not until the loud groan of the coffeemaker pierces her ears that she realizes she does not start the morning with coffee. She starts with tea, Darjeeling black, and Raleigh would drum his fingers against the countertop impatiently, absently, as he waited for the grind of the beans to halt and the rhythmic drip of the machine to begin.
Coffeemaker abandoned, Mako flees into the outside world with its rush of cars and dizzying lights. She does not have much by the way of clothing, just essentials, simple and utilitarian.
She reads the name of the place at which she finds herself. Wilmot's.
She needs a drink.
No she doesn't. Raleigh needs one.
Mako has to sit down and order, and then she puts her head in her hands.
no subject
Melanie is looking after Lilly today, because he needs a break. Childish of him, he supposes, but he simply cannot relate to the girl and her strange, animal nature. Melanie seems to connect with her readily, and Lilly with Melanie, which is of course lovely. But he is not cut out for this.
He misses Crowley. But they've more or less ceased contact in recent times. Necessity, or perhaps forced indifference. Something of that nature. In between those lines.
A young woman steps in and he glances her way - a rifty, naturally, most of the people who come here are - but not someone he'd expect to see here at this hour. He's not sure what metric he's going by, but regardless, she has his attention as she sits down, clips out an order, and holds her head.
She looks very unhappy.
He wonders if she's new.
"Excuse me," he says gently. "Are you all right?"
no subject
She looks at the other man uncertainly, not sure what she should draw from his decidedly frumpy sense of fashion, his earnest-seeming nature.
Raleigh wants her to be on her guard. Fortunately, in the interest of avoiding further cognitive dissonance, Mako agrees.
"Slow morning," she says by way of explanation, which is not really an explanation at all. She tries to muster a smile, and comes out with nothing but for a tired twitch of her mouth.
no subject
He sets his glass back down and offers her a hand. "I'm Aziraphale," he says. "I came through the rift - goodness, it'll be three months tomorrow." He shakes his head slightly, as if to dislodge that realization. "You?"
no subject
She has never heard a name like his before, leading her to ponder its origin. Working among the employees of the Shatterdome, she had come to pick up a passing feel for international anthroponymy, but his name strikes her as vaguely latinated. She is not wholly sure what to make of that.
She is not wholly sure what to make of anything he is saying, rather. Three months is a stretch of time that seems utterly overwhelming to her. To be confined to this single city for three months, with no promise of when or if one will return home, if at all -
Her drink arrives. She knocks half of it back in one gulp, shutting her eyes against the pleasant burn of alcohol sliding down her throat.
This is not right.
This is not her.
She runs her thumb absently around the rim of the glass in neural indecision.
"I am not very used to this," she admits to her drink quietly.
no subject
He smiles, he hopes encouragingly. "Was your world anything like this one?"
no subject
Mako makes a small, scratchy noise in the back of her throat that could be misconstrued as a bitter laugh.
"It was very different," she says quietly. "Years ahead."
Twelve years and a world's destruction ahead.
no subject
"Do you have a place to stay?" he asks. "I'm the caretaker of one of the apartment buildings, if you need accommodations."
no subject
It would be far, far too easy to adopt his square-shouldered slouch over the table, posture faintly redolent of an unconcerned sprawl, legs hooked beneath the seat, head to one side, eyes dark and watchful as his fingernails tap a seemingly careless tattoo against the rim of his glass with its steadily dwindling contents.
"Thank you." She flashes Aziraphale a brief expression of gratitude, too strained, too shy, before her eyes again become distant and downcast.
She has no idea what to say, and is fast coming to the realization that this other man has no intention of leaving, engaged as he is in their stilted, almost one-sided conversation.
The trickling silence between them stretches to a point of social tension, and, trying desperately to mask her panic and think of something to say, Mako seizes the first handful of raw, guarded, tensionless instinct she can find and pulls.
Immediately her hands slide back to the table surface, propping her chin on the ridge of her knuckles in a closed fist, looking at Aziraphale with none of her demure reticence, none of her painfully soft-spoken laconicism, her stare even and flat and composed.
"Anything I should know about this place?" she asks, the words tinged with a subtle American accent.
no subject
"Well, it's fairly ordinary," he says. "Apart from us. There are several persons you'd do well to avoid. And there's... the network. You have a phone?"
He hesitates. "Or did you mean about the pub?"
no subject
She tips her glass at an angle against the table, watching the pale liquid slosh faintly against the vitreous edges. One thumbnail bites into the table's surface, digging absently into the sun-warmed wood. "Who should I be looking out for?"
no subject
Not a very stealthy way to go about it, but it's not exactly a secret, he supposes.
no subject
"An archangel," she says, lifting one eyebrow. "Yes. I'm staying in his building."
She hesitates and, with a minor decline in the social confidence she's recently begun to exude, frowns, a small crease of concentration appearing on her forehead. She feels a little more herself.
She is herself. That is what she has always been.
"I did not know he had a brother," she admits.
no subject
He clears his throat and slides her phone gingerly back over.
"His brother - well, he has several, but there's only one here - and it's, well, the Devil." He tilts his head, running his finger idly around the rim of his glass. "He tends to leave most humans alone, but I think it's rather important to know. If you do ever encounter him - he looks human, like Gabriel and myself, but he'll very likely tell you who he is - it's best to just stay out of his way. However you can."
He finishes off his glass. "I'm an angel too," he says belatedly. "There are rather a lot of us, relatively speaking."
no subject
Hell was never red, to her. It was never made from fire. It was blue and bioluminescent, water rushing from the crackling seam between worlds.
"Angels seem to look very human, here," she says, inflecting the words politely but with a fair amount of skepticism to be expected from one who has just been informed that their impromptu conversation partner is, in fact, a celestial entity.
no subject
He studies her for a moment. "Are you sure you're all right?"
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She can no longer tell the difference between the genesis of each thought, from what part of her fractured mind it arrived.
"I am still getting used to it," she says. It sounds like an admission of guilt, and she thinks, maybe, hopefully, probably, that part came from her. "I do not think Manhattan existed where I came from, anymore."
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"I'm sorry," he says, not sure why, not sure what else to say. Tentatively he asks, "What... happened to it?"
no subject
"A war," she says softly. "It ended just before I arrived here."
She ended it. She and Raleigh and Hermann and Newt and Chuck and Pentecost, at a cost she was prepared to devote an unhealthy amount of mental energy convincing herself it was worth it, except that she never got that chance.
She had not wanted to lose Raleigh too, she had told him. She had not wanted to lose anyone.
She sobers slightly, figuratively, and removes herself further from the literal concept as her second drink arrives and she sips it.
"It will not happen here," she says, though it sounds more an assurance to herself than to him. "It would have happened already."