fucking_ebay (
fucking_ebay) wrote in
bigapplesauce2013-05-19 12:31 am
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The Bedside We Seek in the Night [closed]
Since the last big mess of shared dreams, the memories dredged up and exposed for Gabriel to see have plagued Peter. It's not unusual for him to have nightmares or to dream of vampires, but it's been a while since he last had the kind of dreams he's had the last few nights.
He's hiding under his bed, cringing and crying as quietly as he can as shots ring out a few rooms away. His mother screams and he claps his hands over his ears, expecting the exact moment when she stops screaming because he's relived this memory too many times to count. The setting is achingly familiar yet completely out of his control, his sleeping mind unable to grasp just why he knows what's going to happen, why his gut is twisting itself in knots as the gun goes off again and it's his father's turn to scream.
Usually at this point the dream dissolves into some other terrible memory, or loops around and starts again with him sitting up watching telly with his parents before the monster comes. Tonight's a little different, though. In the way of dreams, time foreshortens itself. Peter trembles and stares at the pair of feet just in front of him, trying to breathe as quietly as he can. It knows he's here. The figure bends down, a smiling face dipping into view, eyes locked onto Peter. "Hey, guy," says Jerry.
Peter's heart seizes and he leaps. Then, suddenly, there's a burst of red light before he's falling into darkness. He hits something soft that seems to reach up and grab him to entangle him and panics, screaming and thrashing against it.
He's hiding under his bed, cringing and crying as quietly as he can as shots ring out a few rooms away. His mother screams and he claps his hands over his ears, expecting the exact moment when she stops screaming because he's relived this memory too many times to count. The setting is achingly familiar yet completely out of his control, his sleeping mind unable to grasp just why he knows what's going to happen, why his gut is twisting itself in knots as the gun goes off again and it's his father's turn to scream.
Usually at this point the dream dissolves into some other terrible memory, or loops around and starts again with him sitting up watching telly with his parents before the monster comes. Tonight's a little different, though. In the way of dreams, time foreshortens itself. Peter trembles and stares at the pair of feet just in front of him, trying to breathe as quietly as he can. It knows he's here. The figure bends down, a smiling face dipping into view, eyes locked onto Peter. "Hey, guy," says Jerry.
Peter's heart seizes and he leaps. Then, suddenly, there's a burst of red light before he's falling into darkness. He hits something soft that seems to reach up and grab him to entangle him and panics, screaming and thrashing against it.
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He scoots up against the headboard, putting the reassuring solidity of its bars and the wall behind him before he reaches for the tea he miraculously failed to knock over with his arse.
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"I take it you don't really want to deal with your new ability," she says after a few moments.
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And given his nudity, the time of day, and his disorientation, she'd say he was asleep. It's either that, or having sex with someone, but again, given his nudity, she'd probably be able to tell. And he's not drunk. And he was frightened before she pulled the knife.
"Were you having a nightmare about your parents?" she asks astutely. It might be about something else, of course, but this is also a way to bring up the whole dream thing. He hasn't told her in waking moments, after all.
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He flinches and nearly spills his tea down his lap. "No," he says, back to the strident tone from before. "Why would I have nightmares about my parents? I'm not twelve, Lucy."
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She takes the mug out of his hand and sets them both in the bookshelf, since he doesn't seem to want to drink any of it. She's not exactly sure why he's so prickly, when Lucy's neither mocked him nor shared his secrets with anyone. So instead of arguing the case, she leans against him, wrapping arm around his waist, and resting her head on his shoulder. Physical comfort is something they've gotten quite familiar with, even if most times they have the excuse of sex.
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He sighs back and puts his arm around her in return. "I wasn't sure that conversation was real," he explains reluctantly.
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"Neither was I," she answers. Of course, this means that she's admitting to the things he's seen of her life, too. It's a bit freeing, to have him know. She was never particularly secret about the abusiveness of her husband, but the details are more painful. "It was nice, though," she adds. "The sex, too." Like, that was some really good sex. They should try that more often.
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"Only 'nice'?" he asks, feigning affront. "I blew your fucking mind, same as I do every time."
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