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peeta_mellark) wrote in
bigapplesauce2014-06-25 08:11 pm
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Rude Awakening [CLOSED]
Peeta jerks awake in the dark hours of the morning, falling out of a nightmare that has become all too familiar and into the gloom of his base quarters. He fumbles for the bedside lamp as he shifts to sit on the edge of the bed, running one hand over his face as the other finally finds the lamp switch. Sitting in the warm circle of light, he tries to push away the dream - the memories - of Daine dying in the Games.
A glance at the clock on the nightstand causes him to wince. It is bitterly early, but there isn't any possibility of him getting more sleep tonight, not with Daine's death fresh in his mind. He knows it was just a nightmare, has already lived through waking from that horror to find Daine alive and well and at his side. Having relived in raw detail, however, it's difficult for him to let it go. What he wants - what he needs - is to find Daine, to see for himself that she's okay. He almost convinces himself that he could slip down the hall and peek into her room without waking her or the dogs, but he refuses to risk it. There is no reason for her to lose sleep over his troubles.
Instead, he rises and dresses, knowing that the sooner he finds something to occupy his mind, the better. It's early yet, even for bakers, but he decides to head to the kitchens, purposefully taking a route that keeps him away from Daine's room.
After puttering around aimlessly for a little while, checking the stock and pondering recipes using some of the new ingredients he's discovered in this world, he decides to start on the day's bread. The mindless routine helps calm his anxiety, drawing him into the steadying, soothing rhythm of the task. For a while, he forgets the terror that woke him.
Then, as he is kneading some uncooperative dough, he has a flash of hard, unyielding dirt beneath his hands. For a split second, he feels as if the wind has been knocked out of him. Breathing through the sudden pain in his chest, he kneads more purposefully, distracting himself by mentally reciting every recipe he can remember. Daine is fine, he tells himself angrily. He feels better by the time some of the other kitchen staff appear, but he can't help but glance up every time he catches sight of someone entering the cafeteria.
A glance at the clock on the nightstand causes him to wince. It is bitterly early, but there isn't any possibility of him getting more sleep tonight, not with Daine's death fresh in his mind. He knows it was just a nightmare, has already lived through waking from that horror to find Daine alive and well and at his side. Having relived in raw detail, however, it's difficult for him to let it go. What he wants - what he needs - is to find Daine, to see for himself that she's okay. He almost convinces himself that he could slip down the hall and peek into her room without waking her or the dogs, but he refuses to risk it. There is no reason for her to lose sleep over his troubles.
Instead, he rises and dresses, knowing that the sooner he finds something to occupy his mind, the better. It's early yet, even for bakers, but he decides to head to the kitchens, purposefully taking a route that keeps him away from Daine's room.
After puttering around aimlessly for a little while, checking the stock and pondering recipes using some of the new ingredients he's discovered in this world, he decides to start on the day's bread. The mindless routine helps calm his anxiety, drawing him into the steadying, soothing rhythm of the task. For a while, he forgets the terror that woke him.
Then, as he is kneading some uncooperative dough, he has a flash of hard, unyielding dirt beneath his hands. For a split second, he feels as if the wind has been knocked out of him. Breathing through the sudden pain in his chest, he kneads more purposefully, distracting himself by mentally reciting every recipe he can remember. Daine is fine, he tells himself angrily. He feels better by the time some of the other kitchen staff appear, but he can't help but glance up every time he catches sight of someone entering the cafeteria.
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"I don't have anything better to do," he tells Daine. He's a little amused that she might be concerned that he isn't up to a walk around the park. Not so long ago he was routinely running for his life.
That thought brings up memories of the dream and he frowns. The feeling passes quickly, though, and he releases a breath that borders on a sigh. "Besides, it's a nice day out." He lifts his face, closing his eyes against the sun streaming through the trees. "And the company isn't bad, either," he adds, giving Daine a teasing grin.
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"There's about to be more of it, too," she says, returning his grin. She can feel Quickbeak and her flock not far off. The People are well aware of Daine's routine - and well aware that she usually doesn't have two-legger companions - and their curiosity is piqued. It isn't long before Quickbeak swoops down from a nearby tree and lands not on Daine's shoulder, but on Peeta's. The crow looks him over with keen-eyed interest, and Daine coughs to cover a laugh.
"Quickbeak, this is Peeta. Peeta, Quickbeak."
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He's never been so close to such a large bird before, and he takes a moment to admires the glossy sheen of Quickbeak's feathers, the shine of his eye.
"Hello," Peeta offers in greeting.
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"She says it's nice to meet you," Daine says. It's a liberal translation, but it's not a lie; it's certainly quicker than trying to explain that being a good perch is a complimentary thing for a crow to say. "And she's wondering if you have any food." Daine could offer him something, but she knows he has bread in his bag, and it would impress Quickbeak more if he produced that.
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The mention of food reminds him of the loaves in his bag. "Yes, actually, I do." He digs one of them out and unwraps it enough to break off a bird-sized morsel. "I thought you might need some extra," he explains to Daine.
Careful not to jostle Quickbeak, he offers her the morsel. "Here you are, you get first taste."
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"She likes it," Daine says, though it probably isn't needful. Anyone could tell as much from the rapt way the bird is slowly demolishing the offering. Once Quickbeak has finished, she leans forward to examine Peeta's face closely. He looks like the boy with the dog, she observes. They could be from the same nest.
It happens sometimes, Daine says ruefully, thinking of Andrew and the Doctor and Peter.
The boy with the dog and the boy with the bread. Quickbeak rustles her feathers, then gives Peeta a liquid-smooth nod of acknowledgement. Even for a crow, she's curious and observant, and she's picked up a little of what she fancies to be 'two-legger manners.' Thank the boy with the bread for me, she says before taking off, and Daine can hear the flock murmuring the title to themselves.
"She thanks you," Daine translates dutifully, grinning up at the departing crow and the rest of her flock. "They're calling you 'the boy with the bread,'" she adds. It's a much better title than 'stork man.'
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He didn't miss Sarge's whine, and he's tearing off a hunk of bread for him when Daine relays Quickbeak's thanks - and Peeta's new name. The boy with the bread echoes in his mind and for the space of a heartbeat he is that boy again, tossing burned bread to a starving girl. He can feel the cool rain on his swelling cheek, smell the scent of damp earth mingling with that of the bakery. Then he blinks, and with only a slight hesitation to indicate his inner thoughts, hands the bread to Daine.
"That's me," he says, a wry smile on his lips. He tears off another bit of bread and offers it to Molly, who takes it gently from his fingers. "Should I leave any for the others?" he asks Daine, waving a hand in the direction Quickbeak took.
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"I'm sure they'd appreciate it," Daine says. She doesn't add that it would solidify his nickname. She's a little concerned that he doesn't like it. Well, it's not as if any of the crows are going to call him anything aloud, in words he'd understand, so perhaps it doesn't matter.
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He tears off a larger hunk of the loaf before wrapping the rest and tucking it back in his bag. "Where should I leave it?" he asks, already breaking the bread into smaller chunks.
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"Over here," she advises, leading him a ways off the path. She's yet to get caught feeding animals, in part because she knows it's frowned upon and tries to be discreet. The two-legger paths aren't especially safe places for the People to be, anyway - too many bikes and skateboards and other wheeled contraptions that could crush anyone caught unawares. Daine pauses in a little clearing and gestures around. "Here's all right." The flock has followed them, and the branches above them are thick with glossy black bodies and bright, curious eyes.
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It's a fleeting sensation, though, quickly replaced by a sense of wonder. The effect of feathers shining amidst the branches is beautiful. He wants to stop and sketch them, but he knows Daine has other charges to check on, and he doubts the crows would hang around long enough for him to draw the scene anyway. He'll have to draw it from memory, which won't be difficult - it's a vivid image.
Peeta stops where Daine indicates and begins tossing breadcrumbs around the area. He tears the hunk of bread in half and hands part of it to Daine, so that she can help.
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"You've already had some," Daine reminds him, speaking aloud for Peeta's benefit. Sarge just gives her a put-upon look.
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He gives Sarge's head a rub and shifts his bag on his shoulder. "Where to now?" he asks Daine, throwing a parting wave at the trees.
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At the brisk pace Daine's set, it doesn't take too long to reach the Ramble. The goose is closest, and Daine leads Peeta some ways off the path until she finds the bird behind a tree, up the hill from the lake.
The goose lets out a soft, alarmed hiss at the sight of Peeta and the dogs, but Daine speaks to it soothingly. "It's all right. They're friends. No one's going to hurt you." She passes Peeta Sarge's leash, then picks her way closer to the goose and sits down a few feet away from it. "Why don't you let me have a look?"
Just keep those dogs back, the goose requests, giving Sarge in particular a mistrustful look. Then it rises to its feet and crosses to Daine, limping noticeably. Daine winces in sympathy, then gently gathers the bird into her lap.
She glances back at Peeta as she strokes the bird's neck feathers. "It'll be a little while."
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Leashes in hand, he steps over to a nearby tree, close enough to watch Daine but far enough away to ease the goose's visible agitation about the dogs. Lowering himself to the ground, he leans against the tree trunk and waits for Sarge and Molly to settle on either side of him. Though he knows they won't run off, he makes the effort to secure their leashes under his bag before pulling out his sketchbook.
He watches Daine for a few minutes, then starts sketching the crows, soon losing himself in the sketch.
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When she lifts her head, a good twenty minutes have gone by, and the goose has tucked its head behind one of its wings - though its eyes are still open in case the dogs should get restless. Daine runs a hand over the bird's back, smiling as it untucks its beak and gives her fingers a fond nibble. "Better?" she murmurs.
Much, thank you. The goose gets to its feet and steps out onto the grass, no longer favoring one foot. It stretches, foot and wing extended, then resettles itself with a ruffling of feathers. Daine digs a handful of dried corn out of one pocket and offers it to the goose, who daintily plucks the kernels off of her flattened palm. Then, the bird waddles back down toward the lake, and Daine gets to her feet to see what Peeta's up to.
She pauses a few feet away from him, not wanting to poke her nose into whatever he's working on if he'd rather she didn't. "How's the drawing?"
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He'd already completed a rough outline of the crows filling the trees and had started on a more detailed sketch of Quickbeak when Daine interrupted. There's only a faint silhouette of the body, but a good portion of Quickbeak's head is present.
"Everything go okay with the goose, I guess?" he asks, a quick glance around revealing Daine's charge to be gone. "You weren't waiting on me, were you?" he adds in concern, flipping the sketchbook closed and tucking it back into his bag. Pulling the bag onto his shoulder and picking up the leashes, he stands and brushes off his pants.
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Her smile softens at his question. "Yes, the goose is all right, now. I only just finished." She straightens when he does, then feels out her next patient. "The squirrel's this way," she says, picking her way through the trees. It's not a very far hike; the animal felt her nearby and made the extra effort of heading her way. She finds it perched on a tree branch, an evident kink in its tail.
"Too slow getting away from a bicyclist," she translates, making a face as she holds her hands up for the creature. It climbs from the branch into her open palms, and she cradles it against her chest as she finds a place to sit.
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His encounter with Quickbeak and the crows had commanded his attention, but getting the initial sketches of them down had helped to ease that need. Now, watching Daine with the squirrel, he's reminded of the first time he watched her heal, back in the dream that he is definitely not thinking about any more.
He sighs softly, rubbing a hand down Molly's back when she drops her head on his knee.
As Daine works, he begins sketching, focusing first on the curve of her hands, the sleekness of the squirrel's fur in the sunlight. It takes him a little while to capture the expression on her face - eyes closed, somehow both inwardly and outwardly focused. Then he works on her hair, the light and shadow of the curls and the way they frame her face.
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Finally a little over an hour after she started, she blinks her eyes open and looks down at the squirrel, curled trustingly in her hands. How are you feeling? she asks, tickling his belly gently.
Hungry, the squirrel replies, blinking up at her.
Cracking a smile, Daine digs out a few shelled peanuts and offers them to the squirrel. He takes one between his forepaws and starts to nibble, giving his tail an experimental flap.
Daine sits up straighter, wincing a little as her neck objects to the sudden movement. Odd's bobs - how long as she been hunched over the creature? Rubbing the back of her neck with one hand, she glances upward, trying to judge how much the sun has moved since she started. It's a little hard to tell under all this tree cover, and she ends up looking to Peeta, instead. The dogs are asleep, but at least he's still awake. Hopefully he hasn't been bored witless. "Sorry," she says sheepishly. "I wasn't -- it hasn't been hours, has it?"
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It takes a moment for Peeta's brain to catch up to the question Daine asks. "No, I -" He pauses, uncertain himself, and checks his watch. "No, not hours. Almost an hour, I think?"
He realizes his leg is asleep where Sarge is laying on it, and gently nudges him off so he can give the leg a shake.
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"Good," she breathes as the squirrel finishes his snack, scampers up to her shoulder, and gives her cheek a little nuzzle before heading back up into the trees.
Now is as good a time as any for her to have a snack, and perhaps Peeta will want one, too. Daine scoots over to the rest of the group and starts to rummage through her bag for two-legger food. She glances at in the sketchbook's direction, but stops short of actually leaning over to peer at whatever's on the page. "Still working on the crows?" she asks as she pulls out a pair of granola bars and offers one of them to Peeta.
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Before opening the bar, he digs out two small hunks of his loaf and feeds one each to Sarge and Molly.
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