Spike (
erratic_hematic) wrote in
bigapplesauce2014-08-17 01:42 am
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Entry tags:
You can't go home again [closed]
It's either incredibly late or incredibly early, and Spike is leaning up against the equestrian statue in front of the Natural History Museum looking, in general, like someone you wouldn't want to meet in the middle of the night. He's wearing his long leather coat despite the warm night, smoking a cigarette, and contemplating the front of the building.
The last time he'd been in (his universe's) New York, he's had a little storage room to himself down in the basement of the building. He's curious if it's still there in this universe, so many years later. Curious enough that he has both his lock pick set and a pry bar stored in his coat. Not quite curious enough yet to go and check out what the alarm systems look like.
The last time he'd been in (his universe's) New York, he's had a little storage room to himself down in the basement of the building. He's curious if it's still there in this universe, so many years later. Curious enough that he has both his lock pick set and a pry bar stored in his coat. Not quite curious enough yet to go and check out what the alarm systems look like.
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"Nostalgia, mainly. Last time I was in New York I lived down here, but that was a few decades ago in a different universe." He expects the door to squeak as it opens, but someone must be taking care of the hinges. It opens with only the sound of the latch slipping out, and then the door itself bumping into a small stack of boxes lined up behind the door.
Beyond the door is much darker, and while he could probably manage, this will be a lot easier with light. He hmms and wanders out into the large open room dotted with crates large and small, half-created exhibits and various odd ephemera. It's strange being here, and with it dark like this, it almost seems familiar. Comforting, if also a reminder of what he used to be. He brushes his fingers against a wooden frame as he orients himself, then heads for the main entrance, guessing that's where the light is. "Got any demonic 'find the bloody light switch' powers?"
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The question, leading as it is, gets a lifted eyebrow, (presumably) unseen in the dark. Well, well. Crowley, of course, can see perfectly well; the room they're involves a lot of concrete floors and whitewashed walls, one featuring a giant tackboard covered with papers and clippings of newsprint, metal filing cabinets, crates lined up against the wall, as well something that looks a lot like a turn of the century dog sledge, complete with lines and harnesses. A few life-size plush malamutes lying next to it complete the impression of a half stored piece of some exhibit or other.
'That an educated guess?' he asks, 'Or have you heard of me?'
By way of answer, he clicks his fingers. The fluorescent lights on the ceiling immediately begin to buzz, flickering into life a few moments later.
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He kicks aside a stuffed penguin blocking the door and moves behind the filing cabinet to push it out of the way of the door. When he does, about ten years of accumulated dust escapes from behind the cabinet, making the air smell musty and sweet.
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But that's interesting, and he cocks an eye at Spike. 'You've got warlocks in your universe, then, huh? That what you are? Or are there other flavours of occult where you come from outside of warlocks and demons? You're certainly not demonic, I can tell that much.'
His voice descends first into a wet cough, and then a sneeze, and then he banishes the billow of dust with a wave of one hand. He does not need that, thank you very much.
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"The name's Spike, by the way." And there we have it, the door. He jiggles the handle, happy to find it unlocked. Simply turning the handle doesn't seem to do the job, so he sets his shoulder against the door and pushes. It gives and opens, letting yet more dust out into the main room, but once Spike sees what's inside, his shoulders slump a little.
What, in his day, had been an empty office, is by now a full office. It is a room that has taken the phrase 'junk room' and run with it to an extreme. There are boxes and crates obscuring half of the room, and the rest filled with obsolete technology and slowly decaying bits of exhibits long abandoned.
He can see, in the footprint of the room, where he had slept, and where the little desk had been, but too many years have passed in this universe since it was anything like that. He leans against the doorway, facing into the room, feeling a little silly. He's not even sure what his goal was here- a connection to his own universe, perhaps, or a bolthole in case things go badly at the flats.
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Honestly, it probably isn't something Crowley would ordinarily remember, except that that had been the first dream he'd had in perhaps centuries, and certainly the first of the shared dreams that the Rift seems to hook people into. Spike seems to be having some kind of internal reaction to the storeroom he's opened the door onto, but Crowley a) is not actually massively interested, and b) is distracted by the oddity of running into the guy.
'Huh.'
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He's still focused on the room, so it takes him a moment before the rest of what he'd had to say reaches Spike. When it does, he turns around to look at the guy, trying to jog his memory. Boats. Yeah, he remembers that. Sort of. Boats and blood and...oh right.
"Are you..." He distinctly remembers significantly more snake being attached to him than is currently attached. He finds himself looking down at the guy's legs, as if they might metamorphose at any moment into a long slithering tail. "Weren't you a Naga? Or whatever the hell snake demons are called where you're from."
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The question, however, just makes him laugh. 'You never heard of shapeshifting, mate? Though the snake'ssss in my blood, ssso to ssspeak.' He purposefully accentuates the hiss, baring his teeth to flash Spike a flicker of his forked tongue. 'I appreciate the recognition, though, gotta say. Seems so many people these days've forgotten all about Nagas. Bloody blow to the ego, that.'
He grins again, unable to quite resist it.
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Spike turns back and pulls the door shut to the room. It's not the place he'd lived before, and it isn't a good prospect for the future either. "Hard to forget something that tried to squeeze me to death."
The door closed, he turns back, ready to give this room a better look-over. "So, should I just call you Naga, or have you got a name?" He smirks while leaning over to poke through a stack of papers. "Kaa?"
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Crowley finds a rare space of mostly-bare wall to lean against, tucking one knee up and watching as Spike apparently decides that whatever he'd been looking for in the little storeroom isn't there. The Kipling reference gets a little snort. 'Trusssst in me?' he suggests dryly. 'No thanks. Anthony Crowley, but just Crowley'll do.'
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Spike snorts at Crowley's impression, but a moment later, the name itself makes his head jerk up to look at the demon. Aziraphale had told him that his...whatever...lover slash friend slash mortal enemy went by that name.
"Nahhhh." He scrunches up his face, incredulous. This is the guy his nerdy posh employer is attached to at the hip? They're not exactly a matched set, unless you go in for the whole opposites attract thing. "Aziraphale's Crowley?"
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He needs to start meeting people before Aziraphale does so that he can be Crowley's Aziraphale for once, he thinks huffily. Except that then he'd have to ~tell them all about Aziraphale, which he's not exactly inclined to do. And not that he has any desire to claim ownership over Aziraphale either. Oi.
Belatedly, it occurs to him that this bloke knowing Aziraphale at all is supremely unlikely, and he swings around, brows furrowing. 'Wait, wait, how do you know Aziraphale?
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"He pays me to sit there and scare people out of his personal collection. Not a bad gig."