Daniel Jackson (
peacefulexplorer) wrote in
bigapplesauce2014-10-08 12:40 am
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So Who's Going to Watch You Die? [closed]
Daniel scans the intersection for the twentieth time in the past five minutes, hands crammed in his pockets. He's not anxious and he's certainly not fidgeting. Well. Not overly.
And if he were, hypothetically, fidgeting and shuffling and shifting in one place restlessly, it'd be completely justified given present circumstances. He's just a little on edge, mostly thanks to shared group dreams which are, apparently, possible - something he's recently discovered in the worst way imaginable. He'd been hoping all morning that leaving the apartment and interacting with the real world for a bit would brush away the last few echoes of the nightmare, but there's still a chill in his spine regardless. Expected, but no less unwelcome.
So, yes, he's a little concerned, primarily about Seth. It's true that Seth has lived here for longer - much longer - and he'd acted like he was used to the shared nightmarish experiences by now. Daniel has more than a few issues with that sentiment (the foremost being that horrible nightmares in which people get impaled and imprisoned and die should not be something one gets used to, personal history with nightmares aside) but he's also hoping Seth can clear up a few questions about the Dreaming. It might not have been real in the strictest sense of the word, but it had certainly felt like it.
Also he is worried.
That line of thought just keeps looping on back.
Daniel's phone buzzes, a text from Seth. Soon the phone returns to his pocket as he crosses his arms, takes stock of the intersection again, and waits.
And if he were, hypothetically, fidgeting and shuffling and shifting in one place restlessly, it'd be completely justified given present circumstances. He's just a little on edge, mostly thanks to shared group dreams which are, apparently, possible - something he's recently discovered in the worst way imaginable. He'd been hoping all morning that leaving the apartment and interacting with the real world for a bit would brush away the last few echoes of the nightmare, but there's still a chill in his spine regardless. Expected, but no less unwelcome.
So, yes, he's a little concerned, primarily about Seth. It's true that Seth has lived here for longer - much longer - and he'd acted like he was used to the shared nightmarish experiences by now. Daniel has more than a few issues with that sentiment (the foremost being that horrible nightmares in which people get impaled and imprisoned and die should not be something one gets used to, personal history with nightmares aside) but he's also hoping Seth can clear up a few questions about the Dreaming. It might not have been real in the strictest sense of the word, but it had certainly felt like it.
Also he is worried.
That line of thought just keeps looping on back.
Daniel's phone buzzes, a text from Seth. Soon the phone returns to his pocket as he crosses his arms, takes stock of the intersection again, and waits.
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"So..." he begins, considering their options for things to do now. Since they've covered power returning and repayment meal, but.. well, the company is nice. And Daniel is still pretty new in town and probably doesn't have an awful lot of things to occupy his time with. "How much of the city have you seen so far?"
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"Been around the park some and at Wilmot's, which you already knew about. Think the Rift tossed me at, um, what was it - Bathesda Terrace, that's it." He punctuates his next sentence with an apologetic dip of the head. "Last time I tried to wander I ended up repeatedly antagonizing the Devil, so I haven't done a lot of that since."
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"D'ya wanna... I mean, I know my way around. We could - I mean if there's anything you'd like to see, I could take you there. Like. Sightseeing or something," he offers. Very awkwardly. And not entirely sure why offering it makes him nervous.
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"Well, mostly it's a simple grid layout, so it's not actually very complicated once you work it out," he answers, and drains the last of his coffee. "Not like London, where you kind of have to either memorise or just guess."
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"So, do you have any specific requests? Big landmarks and tourist attractions? Museums? ..Theatre?" Seth suggests, mostly shooting blind here. He's going to assume Daniel is not overly interested in going shopping.
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He's putting his trust into Seth's hands. The guy saved his life a couple times and he figures he owes him that much at least. The spontaneous lunch included.
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"Well, yeah, but... general interests might help," Seth points out. He doesn't want to, say, drag Daniel to a play or something and it's the most boring night ever. Then again Seth is not overly likely to go see a play anyway.
Musicals are more his thing."..Have you even been to Times Square yet?" he asks, it suddenly occurring to him. That seems like one of those all-important Manhattan places. Even if it isn't particularly exciting once you've lived here for a while.
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That's a tangent, Daniel, and that's not very helpful. He aborts in both direction and velocity and returns to the prior line of conversation.
"That would be fine," he finishes in a reduced tone.
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"So, Times Square." He nods to himself, jams his hands into his pockets, and follows. "That's good. Good, uh, good central reference point." He's big on reference points. Reference points are the cornerstones of both translation and navigation, a common ground, and thus a doubly important factor. Times Square sounds like a better reference point than the one he's been using, namely Lucy's apartment. At least he now knows how to get to and from there which is a marked improvement from a few days ago.
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"Well, as long as you don't ask anyone to meet you just 'at Times Square'," he answers, also stuffing his hands in his pockets. "It's a surprisingly big area, like four blocks long, and generally pretty tourist-filled."
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Also Seth is being very kind and very patient in willingly showing it to him. That may be a related aspect.
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"Um, Tompkins Square Park is the one right outside Wilmot's," he adds, realising Daniel might not know that even if he was there. Presumably he hasn't been north of the Upper West Side, but then, Seth hasn't really either. And you get in trouble if you try to leave Manhattan. That's something Seth knows very well.
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He files away the other names for reference and possible future research. Getting lost has not resulted well for him in the past.
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"44th and 7th," he says to the driver, then turns back to Daniel. "Like, right now we're in the theatre district. More specifically, Hell's Kitchen."
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There, he's not a complete directional loss. He's already mentally mapping out the city as best as he can.
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He pauses a bit, looking out the window, then turns back to Daniel and says - more quietly now, "By the way, I'd appreciate if you didn't tell people this is where I live."
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"I won't. I promise." He's kept lesser secrets under threat of torture, so what's one more? And Seth seems sincere enough about it - whatever context Daniel is lacking, it's probably something important. And he won't betray that.
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"Well, apparently you hang out with Satan, so..." he jokes back. And then he pauses. "Then again, he already knows where I live."
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"Woah, really?" Seth doesn't sound worried about it, but, well. It's Satan. Literally Lucifer. Daniel's had to deal with some weird things before, but never of the ilk of actual Satan. It's forced him to pretty much re-evaluate his entire understanding of the differences between human interpretation of myth and religion and what truths those things hold in actuality, as well as wonder how much of the biblical Lucifer mythos is rooted in fact and then stop wondering because that's terrifying, thanks.
"Are you, uh, are you safe?" Which sounds weirdly protective, but it's not strange to be worried about a friend incurring the wrath of the very real and probably very angry Devil. Not that Daniel helped at all in that department. "I mean, are you, um. That doesn't sound very good."
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"We've got sigils up everywhere, should be fine," he adds reassuringly. Though really, he's decided his main defense against Lucifer is just going to be to stay uninteresting to him and out of his way. As much as he can at this point, anyway.
He leans against the window and looks up once the buildings get taller and they start passing theatres. "Right here's fine," he says a bit more loudly to the cab driver, fishing out his wallet.
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