Daniel Jackson (
peacefulexplorer) wrote in
bigapplesauce2014-11-19 07:00 pm
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It's been the worst day since yesterday [closed]
The knotted mass of guilt in Daniel's chest hasn't gone away by the time he's on his way to Seth's apartment building, again, hands clenching and unclenching and wandering and ducking into his pockets and back out again a minute later.
Daniel feels like an idiot.
He feels like an idiot, because what good could an ordinary library in Manhattan possibly be for this kind of thing? Yesterday had passed in sporadic bursts of anxiety, horror over what the hell might be happening, creeping dread that this might not be reversible and then finally today Daniel's traitorous phone had buzzed to deliver several texts in rapid succession. Texts he should have received a full day ago. Short bursts of words and questions that should read as neutral and impersonal like any other text but don't because Seth had clearly, clearly not been in a good place by the time he'd faded from Daniel's range of vision and he must not have heard or processed any of the prior warnings because the texts all make it bleakly obvious he'd had no idea what was happening. Seth must have assumed the worse.
That would not be atypical for Seth to have assumed the worse.
The idea that Daniel had most assuredly been the cause of that makes him faintly, mildly nauseous.
He has to halt outside the building for a tight minute, his lungs a paradoxical mess of relief and jittering apprehension and no small amount of the always-persistent guilt until at last he makes an unerring line for the figure in front. The visible figure. Daniel's eyes don't slide right past and he doesn't need to constantly refocus and the gradually mounting panic tentatively starts to give way.
Daniel feels like an idiot.
He feels like an idiot, because what good could an ordinary library in Manhattan possibly be for this kind of thing? Yesterday had passed in sporadic bursts of anxiety, horror over what the hell might be happening, creeping dread that this might not be reversible and then finally today Daniel's traitorous phone had buzzed to deliver several texts in rapid succession. Texts he should have received a full day ago. Short bursts of words and questions that should read as neutral and impersonal like any other text but don't because Seth had clearly, clearly not been in a good place by the time he'd faded from Daniel's range of vision and he must not have heard or processed any of the prior warnings because the texts all make it bleakly obvious he'd had no idea what was happening. Seth must have assumed the worse.
That would not be atypical for Seth to have assumed the worse.
The idea that Daniel had most assuredly been the cause of that makes him faintly, mildly nauseous.
He has to halt outside the building for a tight minute, his lungs a paradoxical mess of relief and jittering apprehension and no small amount of the always-persistent guilt until at last he makes an unerring line for the figure in front. The visible figure. Daniel's eyes don't slide right past and he doesn't need to constantly refocus and the gradually mounting panic tentatively starts to give way.
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"And did you - no, sorry, it's your turn." Daniel ducks his head slightly in muted, mortified acknowledgement of his error.
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Neat. He cringes at that inane, thoroughly non-descriptive adjective. Excellent word choice there.
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"Neat, huh? Name two popular bands from Manchester in the last fifty years," he challenges, still grinning.
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But then Daniel grins back as he lifts his mug again, shaking his head sheepishly. "I don't think I can actually answer any music trivia that doesn't predate the seventeen hundreds in some way. A significant gap in my experiences as a human being, I know."
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"Anyway, here," he says, returning to the couch and tossing his mp3 player into Daniel's lap and sitting down again. "Educate yourself." He's pretty sure he doesn't have anything embarrassing on there.
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If it's one thing Daniel enjoys, it's poking at things until they start yielding answers. He might not be technologically brilliant but if he can handle alien technology without triggering a global catastrophe (well, usually), then he can figure out how to work - this. In due time, that is.
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"Well, unless you drop it in bog or something, you probably won't break it," he reassures him. Can't even delete files off it without a computer. And if he does manage to do so, that's not really a disaster either. "You wanna answer the same question? Childhood, family, and so forth?"
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"Well, you already know a bit about that," he says, progressing evenly, patiently. "Parents were both archaeologists so we moved around a lot. But they, uh, died when I was eight so I don't remember much about them."
He leans back, the edge of one thumbnail digging itself around the mug's rim again, an involuntary anxious motion. His steady tone doesn't change. "No siblings. One grandfather, but we fell out when he refused to take me in. Got shuffled around a few foster homes until I was, uh, sixteen, I think? After that it was - college, distance, get my degrees and move forward, same as my parents."
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"Sorry," he replies quietly, a word that is kind of overused by them, but so often the only thing that can be said. Seems like Daniel had to grow up even earlier than Seth did. He wonders if he had been onto something in his dream, where Daniel had been homeless. Not unthinkable, without any family support to back him up.
"Can I ask what happened?" he asks softly, hoping Daniel understands that it goes both ways, that he has no obligation to actually answer if he doesn't want to talk about it.
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"Museum in New York." Crisp, flat enunciation, inflecting nothing. "My parents were helping put up an exhibit. One of the exhibit coverstones came loose, and they were under it." When he opens his eyes he meets Seth's gaze steadily. "I saw the suspension failing, but there wasn't anything anyone could've done."
His composure slips for an instant as he carefully, hurriedly sips at his coffee.
"Hence," he says with a mild twist to one side of his mouth, an expression not easily defined, "my general avoidance of New York."
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Losing someone is terrible enough. Seth is plenty familiar with that. But losing your only family, so quickly, so brutally, and to see it happen, at the age of eight... He can't even imagine.
Seth reaches over and puts his hand on Daniel's arm, an attempt at a comforting gesture, because he's not sure what else to do. Daniel's been more welcoming of physical contact than Seth's felt natural giving so far, so he hopes it's all right, because he needs to do something. It's just painful, seeing Daniel have to work so hard to keep it together.
"When, uhh..." he begins awkwardly, after several long seconds of silence, and clears his throat a bit. "When I was twelve, the IRA set off this bomb in the middle of Manchester. Biggest bomb in the UK during peacetime, actually. As it turns out, no one was killed, but... It was a Saturday, so mam had gone off to do some early shopping, so I knew she'd be there, at Arndale."
Seth shakes his head a little, thinking back. "And I was terrified, listening to the news, yanno? I mean, we didn't have mobile phones back in those days, I didn't know she'd been evacuated. She could've been blown to bits for all I knew." He swallows a bit.
"What I'm trying to say is..." He pauses for a second, biting his lips, unsure if he's getting his point across right. "I only had to deal with the possibility of that reality for a few hours, and it still felt like my world was going to end. So I can't even imagine what it must've been like to live it, and... I dunno, I'm just sorry you had to go through that." He gives him a small smile, hoping it's at least a little bit comforting.
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Daniel hasn't talked to psych in years. He doesn't talk to them as a general policy.
He has always been better at offering comfort and understanding to others than he has to himself.
Seth's attempt at diverting and then reinventing the structure of the conversation, the clumsy but nonetheless welcome attempt at physical reassurance, allows Daniel that subdued flare of altruistic closure. The faint answering smile dissolves in the same instant it forms.
"Loss is shaped by context," he replies, insufferably vague, obliquely reshaping their dialogic vector. "I've achieved a distance from it, and, and an understanding of the event itself. Grief is one of the foundations that separates human from - not." Daniel makes a leveling, horizontal gesture, one hand that sweeps across an invisible plane. The 'not.' Poorly enumerated in speech, even sloppier in summarizing situational function. Trust Daniel to try and twist all this into something pseudo-profound.
"Having been a member of both camps and vastly preferring the former," Daniel continues, dropping the demonstrative hand wearily, "I'll take grief if that's the reminder. Every day."
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"Well, I'm still sorry," he says, because just because his reactions to it makes him human doesn't mean it's something he should've had to go through.
"Anyway, remind me to ask some more about 'not' later," he adds with another small smile. He knows some things about this Ascension, whatever it means, and Daniel's multiple deaths, little bits and pieces he's gathered from Daniel mentioning it, but it still confuses him. "I think it's your turn to ask, ignoring how we're not taking turns."
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"It's not something I frequently discuss," he explains quietly with a tight, apologetic smile. "I'm, I'm not so used to, ah. I know I can get - yeah, it's - there's a lot there. Sorry." Well, that sentence died a lonely and undignified death. He's aware of his tendencies for conversational derailment, burying his own ability to cope in plateauing statements of ambiguous insight.
He debates internally for a moment, searches out a follow-up that would be - appropriate he supposes is the word, thought what would be appropriate after Daniel went on like that is a bit confusing.
"You did technically answer a question I never asked," Daniel points out finally. "Which - what was that like? I, I don't know a great deal of Manchester's history or what kind of civil unrest was there but - god, you were just a kid." He thinks he owes the conversation a little directional reshaping after his impromptu broadening of its subject matter.
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"I... dunno if I wanna call it civil unrest. The bombing weren't, or at least not local unrest," he begins, fixing a point of the opposite wall with a thoughtful stare for a moment, before looking at Daniel to try and explain. "I mean - alright, so the IRA was basically this terrorist group that wanted Northern Ireland to be part of Ireland rather than the United Kingdom, right? So the specific targeting of Manchester was pretty random. It wasn't.. you know, a constant thing, it wasn't a big part of my childhood or anything."
He drains the last of his coffee and leans forward for a moment to set the cup down. "But... I can't really say it was a great place to grow up, especially if you were poor. Middle of a recession, crazy amounts of unemployment. Gangs, drugs... Everyone and their bloody mam seemed to own a gun 'round where I lived." Slight exaggeration maybe, but it did feel like that sometimes. He shrugs, and looks down at his hands, anxiously fiddling a little. "Believe it or not, being a drug dealer wasn't exactly a childhood dream of mine, but at this point it's the only thing I know how to do."
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The last statement generates a somewhat less subdued reaction.
"That's a matter of conflicting perspective." Both eyebrows lift, an even visualization of his skepticism. "For years I had no reason to believe I was any good at anything, even my chosen field. Especially my chosen field, in fact. I was notable in the archaeological community in one respect, and that was my profound ability to generate unpopular crack theories."
The hardened doubtfulness falls back into sympathy, even a smile that hopefully comes across as less forced. "My point is - I think you deserve a little credit here, I mean, you're less restricted in career choice than you think. I know there's a broader spectrum to your capability." Daniel breaks off to gesture at Seth's music collection, as if that fully encapsulates his point. "Your interests demonstrate as much."
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Critic, manager, agent, producer, sound designer... They all involve a lot more know-how than he has, not to mention resources and connections. It's not like the thought's never occurred to him. Part of it might be growing up seeing just how limited choices were - even if his circumstances have changed quite a bit since then, his belief in his abilities hasn't. It's ingrained at this point.
Then there's the fact he's having enough trouble functioning decently as it is, not just with regards to the psychological factor, but with managing his income and his morphine dependency. Which only seems to be getting more difficult. A career change just isn't on the menu for the foreseeable future. But it's hard to really explain to Daniel why.
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Yeah, they've covered quite a few heavy topics already, and Seth's bitter pronouncement leads Daniel to believe that this isn't the best subject for light conversational fare either.
"But I don't think you're as limited as you think you are. And I definitely don't think you'd be to blame if you were."
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Still, he doesn't know immediately what to ask, so he gets to his feet, going to the kitchen to fetch the rest of the coffee. He fills up his mug and offers a refill to Daniel, before flopping back onto the couch. He sort of does know what to ask, he's been thinking about it for a while now, he's just not been entirely sure how to.
"Significant others?" he asks, leaving the question fairly open, trying not to feel nervous about it. It doesn't necessarily cover what he does want to know - if he's asked the same question for example, his answer wouldn't either. But it is a step closer.
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The question prompts a prolonged pause. That is - not a topic he typically brings up of his own volition. Granted, a lot of these aren't. This wouldn't even come up if he hadn't given Seth permission to ask whatever he wanted and he's tempted to evade the question under their thus-far-ignored option to politely decline. But they're springing for honesty here, allegedly, and it just makes sense. Daniel knows more about Seth than the other man does about him, an imbalance in knowledge that really should be corrected.
Briefly, Daniel wonders if there's something wrong with him. He can drop casual references to his zigzagging mortality rate but won't even mention significant others unless specifically asked.
"Two in my life," he says, raising two fingers. "Er - legitimately. There were a few planets where, um, marriage was a thing and we might not have been totally aware of the fact but we, we smoothed those over. We made sure of that." Yeah, he's really not going to get into the embarrassing number of times he or one of the others have accidentally found themselves married to an offworlder without their knowledge (or consent, Jack would point out acidly), or to one of the members of the team, or to all the members of the team on one notable occasion.
The humor is a forestalling attempt that Daniel soon drops.
"But yeah, two. But, well. Not for a, um. Not for a while. Few years." He doesn't know what else to do in reply to that so he sips his coffee hurriedly, and redirects the question before he's asked to elaborate. "What about you?"
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"Also two," he answers, nodding a little, wrapping his hands around his again warm mug. "I've mentioned Kelly, and um, there was Shannon before that. But she, she died a couple years ago." She also died less than a year ago, for the second time, but that's definitely not something he wants to get into at the moment. If zombies ever become relevant, or refusal to accept the morality of loved ones, maybe.
Eager not to leave it on such a dark note though, he adds, "Nothing since then, unless you count Gabe's many attempts to get in my pants." He smiles jokingly, but it's not quite as light and natural as he wants it to be. Still, at least he's managed to bring up same-sex relationships as a possibility, without it being horrendously awkward or revealing.
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The prior material is significantly more sobering.
"I'm sorry," he says, and he means it. "That kind of loss is, is hard. And you had to undergo it twice over and that -"
He doesn't want to say what should come next. Empathy. Connect. Progression.
"That's hard. And I'm sorry, I, I know how -" The words are too thick for his tongue, the edges of their diction strained. Breathe and - continue. "My wife was - well. If I'm honest with myself I lost her long before I actually did."
And there's something Daniel had to more or less force himself to say. He keeps it confined solely to his own internal structure, it and the wealth of associated guilt and weary frustration. That conceptualization is not inanimate; he simply chooses not to verbally address it. It takes a considerable amount of steeling himself for Daniel to address it now, and the effort alone makes his stomach drop and his pulse accelerate incrementally.
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