Rashad Durant (
omnomnom_feels) wrote in
bigapplesauce2015-02-25 08:26 pm
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Soup Kitchen
Rush is a good source of energy. Rush is a very good source of energy, or at least a very plentiful one. There has never been a time when Rashad has encountered him and not found him bursting with some form of emotional distress. At the party -- Rashad had not even meant to feed on something like panic and anger at the party; he had intended to find some form of joy so that he might stay and partake in the event itself. Temptation had struck, and once he is in his right mind again he will decide that it was right after all that he partook while he had the opportunity, even if it was not his first choice. It can be difficult to find sustenance; he will not turn his nose up at what is offered.
The downside to getting a rush from Rush is that the emotions in question strongly incline him to flee to his apartment and hide there in agitated solitude for some time. It is the next day before he recovers, and then he must go to work lest he call attention to himself. There is much work to catch up on, too much for him to take a long enough lunch break to obtain the kind of lunch he actually needs or to leave work on time. That evening is one of slim pickings; somewhere in the city there is sure to be someone going through an emotional state that would feed him, but Rashad is unable to find such a person and finally retreats home to conserve energy until the next day, when he must go to work again, this time running on reserves. It is unlikely that he will find what he needs by chance on his lunch hour, and unlikelier still that he will remain in prime control of himself if he does not feed before the afternoon. Manhattan is a neverending hubbub of emotions, but he needs more than happiness or sadness -- he needs extremes, the intensity of emotion most mortals feel only every now and then. The decision is a deliberate one, a calculated risk -- but it is not difficult to obtain the home address of someone he knows is all but sure to give him what he needs, perhaps with a little prompting if necessary. Then he will be able to think clearly again.
At lunch he makes an excuse and leaves, work undone, for home. It will be a simple operation, he thinks as he makes his way upstairs and stalks along the hall toward Rush's apartment. He will feed quickly, perhaps even through the wall if Rush is close enough and upset enough, and then he willhave a lengthy panic attack quietly return to work with no one the wiser.
The downside to getting a rush from Rush is that the emotions in question strongly incline him to flee to his apartment and hide there in agitated solitude for some time. It is the next day before he recovers, and then he must go to work lest he call attention to himself. There is much work to catch up on, too much for him to take a long enough lunch break to obtain the kind of lunch he actually needs or to leave work on time. That evening is one of slim pickings; somewhere in the city there is sure to be someone going through an emotional state that would feed him, but Rashad is unable to find such a person and finally retreats home to conserve energy until the next day, when he must go to work again, this time running on reserves. It is unlikely that he will find what he needs by chance on his lunch hour, and unlikelier still that he will remain in prime control of himself if he does not feed before the afternoon. Manhattan is a neverending hubbub of emotions, but he needs more than happiness or sadness -- he needs extremes, the intensity of emotion most mortals feel only every now and then. The decision is a deliberate one, a calculated risk -- but it is not difficult to obtain the home address of someone he knows is all but sure to give him what he needs, perhaps with a little prompting if necessary. Then he will be able to think clearly again.
At lunch he makes an excuse and leaves, work undone, for home. It will be a simple operation, he thinks as he makes his way upstairs and stalks along the hall toward Rush's apartment. He will feed quickly, perhaps even through the wall if Rush is close enough and upset enough, and then he will
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He must remain coherent. He must remain fucking rational.
There are parts of him being pulled away, that already have been pulled away, and they are funneling into this fucking - thing in the corner of his apartment and this will not be a tenable mental state for Rush to maintain this is not a workable standpoint and this will not be a state of mind in which he can function optimally or at all and there must be a way for him to deescalate this growing fear that he is being steadily hollowed out by this thing this person that has invaded the boundaries of his mind and torn scraps of him out to feed on like some sick fuck how many times has this happened and Rush has not known and he must remain rational.
"Stay away from me."
The words are ragged and barely present; Rush is shivering against the floor and trying to glare at Durant and not be engulfed in the visceral terror Durant has unknowingly tapped into.
He's whimpering.
He is not whimpering.
He is furious and he is holding fast to that fury, that justified fury over what Durant has done to him in repeated violation.
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That sure seems to be the logical extension here. It is not, however, a practice she's ever run across, and she can't imagine Rush has either. Durant seems even to take steps to cover it, though he's done a real shit job of it these last couple times.
"And what happens if you take too much?" she says coldly. "Something like before? When you left him unconscious? Something worse?"
Rush's obvious distress is only fueling her anger. She reaches forward and seizes Durant's collar. "Tell me exactly how this works, fuckstick."
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And somehow, Asadi seems to know this. Rashad turns his eyes on her again, letting her take hold of his clothing as his heart beats just a little too quickly for the post-feeding rest state in which he should find himself. "You have seen it now," he replies. "I do not take anything that cannot be regained with food and rest." Unless he takes too much at once. The death of the first person he encountered in Manhattan was unfortunate, if unavoidable.
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He entered Rush's apartment for this specific purpose.
How many other contrived interactions were initiated solely to siphon Rush's own fucking emotional reactions from him.
His eyes close.
No. God, fuck, no, he cannot think about this, he cannot devote thought to this, not now, not in this state.
"That's not your fuckin' call," Rush rasps. Maintaining any measure of eye contact and or steadiness of tone is not a feasible exercise. He is lucky to still be conscious and capable of relative movement. "It's my head."
His head that has been rearranged and dissected and torn from so often and so frequently that he can no longer allow himself to wonder how much of Dr. Nicholas Rush is truly left.
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Rush he utterly ignores. It is nonsensical to suppose that he might know better than Rashad what he can give when Rashad is the one who can sense his every emotion, taste out the energy in him. He knows even now what Rush is feeling and how much he could still give before dying.
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"Well thank fuck you know how to exercise fucking restraint," he counters hoarsely, bitterly, pinning Durant with a look full of something scathing and horrified. "One wouldn't want there to be any danger involved, would they."
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She can see him calming - whatever he stole from Rush is probably being absorbed, wearing off. She's not sure he'll be as easy to subdue when he's not suffering another man's panic. The time for dealing with this head-on has passed, now she has to think about it practically, and that's immediately a problem. She and Rush can't afford to expose him to ROMAC - Durant knows way too much about them, her in particular. And they aren't about to become snitches for an organization they already don't trust, she's fairly certain Rush will agree on that. But Durant cannot be allowed to just keep doing his thing. This has to be handled, somehow, even if it's just to spread awareness of him. There are other powerful beings here - the TARDIS, Gabe - who might be able to step in if need be.
For now she isn't sure what she can do, and it galls her to think of it, but letting him go is probably the most pragmatic course of action. Rush needs to calm down, needs the threat removed. They can talk about what's next after that. After she lets this fucker just walk away.
"You listen to me," she says coldly. "Listen well, since you didn't seem to catch it last time. You stay away from him. He is not your fucking meal ticket. I don't care how little you want to take, you don't take it from him. You find your fix somewhere else."
She nudges him with her foot again, more of a kick this time. "Now get the fuck out of my sight."
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He flinches at the kick and scrambles to his feet, removing himself from hitting range. Now that his head is clearer, it is evident that she hit him harder than should have been possible. "I will do what I deem most beneficial," he says stubbornly. It is neither a refusal nor agreement to abide by her new rule for him...though if he is to feed on Rush again, greater caution will be indicated.
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"You come near me again," he drags the words out of his hollowed core, cold and desolate, and tries and fails to mask how much his slight posture shift has left him trembling, "then I don't care," he hisses the word out with a venom, a savage and icy flash of teeth, "what you are."
He stills abruptly, seething in tranquility, locking eyes with Durant. "I will. Kill you."
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"Go," she says, and advances a threatening step.
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He will have to feed again soon. He must turn his attention in that direction, as well as consider how he will explain his prolonged absence from the office. He does correctly interpret Iman's movement as a threat, and as a credible one -- permanent injury or no, he has no desire for her to hit him again and he takes a matching step backward without displaying the corresponding fear that should go hand in hand with caution. "As I said," he replies, then turns and walks quickly from the room.
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Upon his exit, keeping his exhausted musculature locked in tension ceases to be sustainable. He shudders once, drawn and involuntary, unable to resist the slow, unrelenting slide back against his wall, the press and predetermination of gravity. He prevents it from metamorphosing into a complete collapse with an unsteady lurch and braces his back against the wall - an uneven curve against an even plane, unsuited for support. His head drops against the wall's warmed paint. His fingers trail limply.
He feels as he felt in those brief moments of ill-timed waking aboard an unknowable vessel, conscious to know the experimental stabs of foreign thought and helpless to counteract them. Here, the situation is evaluable now that Rush has been removed from the sphere of its context. Durant attacked him and encouraged an emotional response and drained him. He will, in all likelihood, attempt to do so again.
He will also, in all likelihood, succeed.
There is a certain unpreventable nature to certain things.
Rush slides his eyes closed and thinks of the monotony of shallow breath. When he opens them again he directs his attention to Asadi, though with considerably less precision or speed than would typically be acceptable.
"You have," he whispers, controlled and even, "excellent timing."
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She doubts it. But it's hard to tell. He pretty much always looks like he's on the verge of a meltdown.
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He shakes his head fractionally, a gesture that does little to alleviate the clinging vertigo. "It wasn't my intention. It was the only weapon I had on hand." He finishes with an angling of his chin at the prone device wearily, unable to construct a scenario in which the phone would otherwise have been remotely helpful. He hadn't compiled a strategy at the time, simply held it out as a symbol, a threat of contact if Durant came any closer. A poorly thought-out tactic, accomplishing the common feat of being less effective in practice than in theory.
The spread fingers shrink into a fist, pressing into the floor's sun-warmed wood.
"Unlikely," he rasps, missing the muscular coordination that would have allowed him to push the disorderly fall of hair from his eyes and potentially salvage some remaining modicum of dignity. "I recovered well enough before. Those were worse circumstances."
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She rubs a hand thoughtfully over her jaw. "The TARDIS will know, at least, since last time it happened there. Probably good to let the Doctor know. I mean, we have to spread this around, right? People have to be warned, or something."
Maybe this is too much for him to deal with right now. She's moving a little quickly and he still hasn't entirely regained his faculties. She glances back at him. "You want some coffee?"
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"God, yes," he whispers, flicking his gaze to the coffeemaker that sits in crisp, glowering adjacency to the apartment's bare stretch of empty space. A jumbled row of mugs and paper cups have lined themselves up beside it in an unconcerned and meandering arrangement, the sole indications of any sort of frequent use. "There should be grounds. Somewhere."
Adjustment of posture is still an agony of unresponsive limbs and tensely contracted musculature, but Rush inches himself upward, straightening incrementally with a tautening of shoulders.
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She sets up the coffeemaker and chooses a pair of mugs to wash out. There is a disarming lack of soap in this house as well. She refrains from commenting on any of it. Now's not the time.
She steps back out to where she can see him, holding the somewhat cleaned mugs. He looks like he's having a hell of a time. If Durant is some kind of predator then Rush is like a wounded animal that drags behind - talk about low-hanging fruit. She represses another surge of anger. That he'd go after someone so comparatively defenseless - who's so isolated - ugh. She swallows her disgust, composing herself.
"Rush," she says, picking her words cautiously, "I know you called me by accident, but you know you can do that on purpose, right?" She crouches down to the coffeemaker, setting the mugs down, watching the pot fill. "I mean, preferably not for mathematical breakthroughs at three in the morning, but..." She leans around and peer at him over her shoulder, then looks away again quickly. "If anyone tries to fuck with you, I want to know about it." She pulls the pot out and starts pouring. "You don't have to deal with your shit alone."
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"Yes, yes," he mutters, wishing for the spare physical control that would enable a dismissive wave of a hand. Asadi made that point quite transparent in her unanticipated defense of him. Any potential for elaboration of that factor is lost in the involuntary grunt of pained exertion that accompanies his wrenching, tortuous attempt to stand. The amount of resistance in both kinetic effort and air density is quite remarkable, as if his various faculties have systematically decided to abandon his body to the slide and pull of gravity, ceding everything to its destructive, dominant force.
The end result is less than satisfactory. Awareness signals vertigo, and vertigo sags him uselessly against the wall, breathing perhaps heavier than is typical, but unquestionably vertical.
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"You okay?" she says. Obviously he isn't, but this is a man generally predisposed not to ask for help and loathe to reveal that he needs it at all. She takes a step back but stays in range if he should topple or sag down again, sipping her own coffee.
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"I suspect I'll have no difficulties recovering." His expression darkens meaningfully, eyes flicking back to Asadi and away again, one muscle twitching subtly in his cheek. "At least this time."
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"I agree," he answers quietly, closing his eyes in a largely ineffectual effort to scrub the sensation of being lifted and pinned from his mind.
The memory replays itself with distressing clarity - Durant's hand closing around the front of his shirt, a snap of fingers wrapping around the material and pinning him inescapably against his own wall while he did little more besides writhe and panic and make himself vulnerable.
The corner of his mouth twitches in distaste.
He fixates instead on the wall's numerical scrawl, and redirects his attention back to Asadi.
"Encrypting a message should be fairly simple," he says with dry, forced insouciance, "assuming you have access to a cryptographer." He meets her gaze finally, canting a wry eyebrow to mirror hers.
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He navigates the empty stretch of apartment to his laptop and the table on which it's balanced with something of his usual dexterity and coordination, then opens it with a quiet, satisfying click. Shattering the vertigo beginning to burrow mercilessly into the fringes of his vision with a brusque shake of his head, he opens a sequence of programs with a burst of furious typing and sets to work.