Daniel Jackson (
peacefulexplorer) wrote in
bigapplesauce2015-05-24 10:57 am
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don't get lost in heaven, they got locks on the gate [open to multiple]
Existence without form or breath or shape is disorienting, the spread of atoms over a plane he doesn't recognize, with the repeated dissolutions and reshapings of an indistinct self. At one point there was pain, and the unspooling of himself into light and purpose, and for a long while there is only amorphous drifting. He hits barriers, dissonant and frequent, where once he should have crossed from one plane to another, one reality to the next, in an effortless slide of energy across the universal boundaries. It is difficult to define emotional state outside of the human context - he only knows that he is not human - but it is a state of affairs that generates confused distress.
Temporal sequencing becomes a problem.
Awareness, too, is difficult to achieve. Gradually he is able to pull together the various components that comprise himself and reshape them into something capable of perception, but doing so strikes him with a revelation disconsolate, and that is that there are no Others here - no Ancients, nothing, simply an empty plane of shifting light and bottomless dark. And he is alone.
He knows he did this, and it was for a reason. But he finds he cannot remember anything, not immediately, and when the memories trickle back with his concentrated effort they are unfiltered and unstructured and unordered until finally he can impose the alien concept of linear time upon the thing, and fully interpret what he is in comparison to what he was.
Daniel Jackson.
The name is the linchpin that generates the outward ripples, spreading from that singular point of origin. It triggers the flood of remembrance, the 'gate, Manhattan, the locked-away knowledge that was once sealed in his head but now coalesces seamlessly into the whole of him now. He cannot delineate his form by shape or size or mass, not any longer, but now he remembers, he remembers what it is he can do and how it is he can do it.
He starts small because he must, drifting as a pair of hydrogen atoms while he glimpses the city on a reduced scale. Then he builds to it, the recollection of his shape. Spectrally manifesting was never truly allowed before, but if there are no Others then he is not bound by their laws. He assembles a body that resembles the one that was human and familiar, and projects it. It takes two tries to succeed, three to sustain it for longer than a meaningless collection of seconds, and no matter what he tries he cannot force his shape to manifest with glasses. Apparently his inner self, or however he chooses to define it, does not need them.
He loses track of how many attempts he makes before he can maintain his form visibly for any significant length of time. But finally, in a ragged burst of energy, the bewildered shape of Daniel Jackson reappears in Manhattan, and there he stays.
[ooc: Daniel Ascended back during the Rift Shitfit of September 4th, and he's only just figured out how to Do Things in his new state of being. Right now he's completely intangible and frequently phasing in and out of visible existence. I've added to his handy-dandy reference post as to what he can and can't do in this state. He can also show up LITERALLY ANYWHERE so if you want in on Ascended funtimes just pick a date and a location, or Daniel can pick one, or whatever.]
Temporal sequencing becomes a problem.
Awareness, too, is difficult to achieve. Gradually he is able to pull together the various components that comprise himself and reshape them into something capable of perception, but doing so strikes him with a revelation disconsolate, and that is that there are no Others here - no Ancients, nothing, simply an empty plane of shifting light and bottomless dark. And he is alone.
He knows he did this, and it was for a reason. But he finds he cannot remember anything, not immediately, and when the memories trickle back with his concentrated effort they are unfiltered and unstructured and unordered until finally he can impose the alien concept of linear time upon the thing, and fully interpret what he is in comparison to what he was.
Daniel Jackson.
The name is the linchpin that generates the outward ripples, spreading from that singular point of origin. It triggers the flood of remembrance, the 'gate, Manhattan, the locked-away knowledge that was once sealed in his head but now coalesces seamlessly into the whole of him now. He cannot delineate his form by shape or size or mass, not any longer, but now he remembers, he remembers what it is he can do and how it is he can do it.
He starts small because he must, drifting as a pair of hydrogen atoms while he glimpses the city on a reduced scale. Then he builds to it, the recollection of his shape. Spectrally manifesting was never truly allowed before, but if there are no Others then he is not bound by their laws. He assembles a body that resembles the one that was human and familiar, and projects it. It takes two tries to succeed, three to sustain it for longer than a meaningless collection of seconds, and no matter what he tries he cannot force his shape to manifest with glasses. Apparently his inner self, or however he chooses to define it, does not need them.
He loses track of how many attempts he makes before he can maintain his form visibly for any significant length of time. But finally, in a ragged burst of energy, the bewildered shape of Daniel Jackson reappears in Manhattan, and there he stays.
[ooc: Daniel Ascended back during the Rift Shitfit of September 4th, and he's only just figured out how to Do Things in his new state of being. Right now he's completely intangible and frequently phasing in and out of visible existence. I've added to his handy-dandy reference post as to what he can and can't do in this state. He can also show up LITERALLY ANYWHERE so if you want in on Ascended funtimes just pick a date and a location, or Daniel can pick one, or whatever.]
thanks for not sending a notification dw -_-
So he manifests in an alley completely by accident.
It takes him a minute to register the additional presence, and another minute to realize there is something horribly wrong about it, something immediate and beyond the scope of his current understanding.
"Woah," he says, his voice ringing oddly in ears that perceive the minutiae sound's varied mechanics in the surrounding space. Automatically his shape's hands come up, palms out, in a gesture meant to be placating, reassuring. He looks at the other man, the other being, halfway alarmed and halfway disturbed by the wrongness resonating on a level he can now detect. "Are you - are you okay?"
bahh. did you check your spam filter? gmail gets filter-happy.
"No," he whines, lacking reason to lie and unsure whether it is a relief to complain or if acknowledging the pain simply reopens the wound. "What are you? Why are you here?"
turns out that was the culprit but I thought I fixed it :P
What are you. It brings him up short. He doesn't know, not anymore. He doesn't have access to anything that could define himself for what he is. Ascended, but not Ancient. Not one of the Others. Something - else.
"I'm Daniel," he says simply. It's true, if not entirely forthcoming. "Sorry, uh - I'm kind of - adjusting."
That's ambiguous.
"I didn't mean to startle you, I'm sorry." He keeps his tone level, steady. If nothing else, maybe he can calm him down.
and then it was my turn to lose notifs
"You are not an angel," he observes warily. It is good that this is not an angel. Were it, he likely would have fled already. The slightly increased distance eases the edge from his fear, and it is ludicrous that it should do so.
damnit gmail
Daniel sighs with the air of someone who'd be taking off his glasses if he still had them.
"I'm - " he begins, frowning, but abruptly deflates when he realizes he doesn't really have an explanation for it, "- complicated." The being opposite him is too, he can see that much, but he's completely without any kind of context to identify what he is and why he's seems to be - off, somehow. But the question itself turned out to be somewhat revealing, so Daniel reverses its direction with an innocent tilt of the head. "Why? Are you an angel?"
Re: damnit gmail
He wraps his arms around himself and fights back tears, unable even to name the mixture of grief, fear, and...something else....
"I have hurt no one!" he protests against some imagined accusation.
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The second statement is what's more worrying at the moment, in addition to remarkably telling. Is he expecting people to ask him if he's hurt people? Has he? But the poor guy also looks like he's about to break down at any minute, so Daniel switches tactics.
"It's okay," he says, keeping his tone low and level and hopefully soothing. "I'm not accusing you of anything. Okay?" Very rational. Very reasonable. A very rational, reasonable apparition of a man who showed up out of nowhere.
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He manages a little nod but does not relax from his useless self-cornering against the wall. "Why have you come?" he asks tremulously.
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The apparition frowns, rueful and contrite. "Would you believe me if I said it was an accident?" He looks at his shape's hands, flexing fingers in mild bemusement. "I'm still kind of getting the hang of - everything."
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Perhaps this Daniel also lacks such context. Perhaps -- perhaps indeed this encounter is not Daniel's doing at all, but that of the Rift. He must be brave. NO. He must be impassive, must take control of himself. "You do not know me," he says, attempting to ground himself with a truth that is more reassuring than it should be -- he should not be a despised thing, and yet he is. "Is this -- have you only now arrived here? Do you know where you are?"
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"No, I - " Hastily, he plunges into clarifications. "I've been here for a while. In Manhattan?" He grapples to retrieve a timeline, but no unit of time measurement immediately or conveniently presents itself, so he slides past specifics and heads right to his next point. "It's kind of a long story."
Understatement of the - whatever time constraint is most appropriate. Daniel's frankly not sure anymore. It's a little worrying.
"I'm not, ah," he says, holding up a hand as if for inspection, " - human at the moment, so I'm sorry, but uh, no, I, I don't recognize you."
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It is good that Daniel does not know him, and for a moment he does not understand the apology. He shakes his head again but does not clarify. "It is Manhattan," he confirms. "And I am -- I do not wish to be located."
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And it looks like it's complications all around. He advances a cautious, insubstantial step, concern deepening the features of his projection, and the movement makes it waver, edges bleeding into obscurity before they sharpen again in the same instant. He redoubles his focus. He has to hold this shape, at least for the sake of -
"Look," he says evenly, "let's start this again, cause I'm not really clear on - any of it, really. You have a name?" Peering into the central mass of awareness of the thing was an ability he knows he once wielded, detection and identification of things beyond the human eye. But if maintaining a spectral shape has already begun to strain his concentration, Daniel doubts he wants to risk anything more.
no subject
No use. If Daniel is capable of explaining his existence, he has chosen not to do so.
"I am --" For a moment he feels the peculiar urge to be honest. He quashes it. "I am Rashad Durant." He of enduringly good sense. The selection seems less apt now than it once did. "This is not -- usual. I have lost much of late."
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He can't. Lost much can mean anything, and it doesn't help that Rashad's energy, his being, is comprised of something completely foreign to him. He can't begin to guess what Rashad is by composition - Ascension doesn't make him, or anyone, all-knowing. He has the capacity to understand, he's certain of it, but without any basis for comprehension he's useless.
"What have you lost?" he asks, tone falling somewhere between concern and curiosity, and then his form straightens with the realization. "Wait - the day we were cursed. You were - you kept getting things stuck you, right? The network - that was you?"
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"That was me," he agrees. "But I do not remember you."
At last he unpeels himself from the wall, his gaze still ever trained on Daniel, his body still poised for some undetermined but sudden action. His heart rate has slowed at last, and while he is not sure that he could be said to trust this new being, he is at least no longer convinced it must mean him deliberate harm. It might not be harmful to give this Daniel a direct answer. "I have lost my home and my employment," he admits. "And my...objectivity." This last thing is the most important, but he does not know how to convey the gravity of it.
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But Rashad's moving away, no longer drawn into the corner like before, which Daniel is interpreting to be a good sign. Still anxious, he doesn't need to extend any wavering attempt at telepathic branching to understand that; the body language is fairly indicative in and of itself.
"Your objectivity?" The specter raises his eyebrows. That has a meaning he's pretty sure is lost on him, so he's going to focus on the two former. "So, what, you've just been living - here? On your own?" He expands his awareness around the alleyway and finds nothing that makes it seem particularly pleasant. It seems downright unpleasant once he evaluates it.
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"I exist," says Rashad, because that seems more accurate to him than to claim that he lives "where I may. This place is largely undisturbed." Apart from when apparitions of former humans manifest in it, it would seem. "I no longer seem to require...contact."
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He breaks off, focus sharpening. Whatever's going on with Rashad in the metaphysical sense isn't making any sense. He feels like there should be an order to it, but it's so beyond him that he can't be sure. Whatever it is, it's fragmented and chaotic, and difficult to discern.
"Look, I'm not - I'm just asking," he begins delicately. "But I can tell you're - you're not quite - human. Right?"
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"I have never been human," he says perhaps too sharply, insulted though it is clearly not meant as an insult. "This form is -- is flawed, but it is not human."
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Is Rashad having the same sort of inherent difficult in identifying Daniel as Daniel is with him? That's entirely possible, actually, especially if he's got sensory capabilities of his own. It might be he's lacking context, just like Daniel is.
"So, then." There's no polite way of saying it, though he tries to make it as tactfully as he can which is, currently, evidently not very tactful at all: "What are you?"
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Clearly he is not better than that.
"I am -- formerly -- an angel," he admits after a moment of uncomfortable silence. "Lately an eloim. Now...I do not know. The same thing, perhaps, but...injured."
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"How'd it happen?" Daniel moves his form closer, hands up to indicate a peaceful disposition. He doesn't seem physically injured, just unkempt, like he hasn't been physically taking care of himself. But the disordered arrangement within him is what gives Daniel pause. Would the nature of the injury, then, lie in abstraction?
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He shifts his weight back but does not resume shoving his body into the corner. Is it wise to explain? Those humans who know of it have been unable to accept his nature and his needs, and this being has told him that he was lately a human.
No, he will not share the details. "It was an angel," he replies. "I do not fully understand what he has done to me, but I am not as I was. It is painful to me. I have suffered greatly."
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"I can see that," he says carefully. "I mean - not just see but - sense, you know?" The wisdom of sharing what he is exactly is debatable, particularly since this is a person Daniel doesn't know very well at all. But Rashad's telegraphing his wary intent to keep back, so it's clear that an olive branch is going to need to be extended. The Rift is keeping him suppressed, shackled as Daniel is to Manhattan, but maybe the abilities of the Ascended are still at his disposal. Maybe he can help. Do something good with the energies he was once forced to resist using at any cost.
"Look, I might be able to help." He doesn't move any closer, not physically, but his awareness nudges forward, studying the molecular arrangement of the being before him a little deeper. "I don't know if I can exactly, but - I can try."
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