Daniel Jackson (
peacefulexplorer) wrote in
bigapplesauce2015-05-24 10:57 am
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don't get lost in heaven, they got locks on the gate [open to multiple]
Existence without form or breath or shape is disorienting, the spread of atoms over a plane he doesn't recognize, with the repeated dissolutions and reshapings of an indistinct self. At one point there was pain, and the unspooling of himself into light and purpose, and for a long while there is only amorphous drifting. He hits barriers, dissonant and frequent, where once he should have crossed from one plane to another, one reality to the next, in an effortless slide of energy across the universal boundaries. It is difficult to define emotional state outside of the human context - he only knows that he is not human - but it is a state of affairs that generates confused distress.
Temporal sequencing becomes a problem.
Awareness, too, is difficult to achieve. Gradually he is able to pull together the various components that comprise himself and reshape them into something capable of perception, but doing so strikes him with a revelation disconsolate, and that is that there are no Others here - no Ancients, nothing, simply an empty plane of shifting light and bottomless dark. And he is alone.
He knows he did this, and it was for a reason. But he finds he cannot remember anything, not immediately, and when the memories trickle back with his concentrated effort they are unfiltered and unstructured and unordered until finally he can impose the alien concept of linear time upon the thing, and fully interpret what he is in comparison to what he was.
Daniel Jackson.
The name is the linchpin that generates the outward ripples, spreading from that singular point of origin. It triggers the flood of remembrance, the 'gate, Manhattan, the locked-away knowledge that was once sealed in his head but now coalesces seamlessly into the whole of him now. He cannot delineate his form by shape or size or mass, not any longer, but now he remembers, he remembers what it is he can do and how it is he can do it.
He starts small because he must, drifting as a pair of hydrogen atoms while he glimpses the city on a reduced scale. Then he builds to it, the recollection of his shape. Spectrally manifesting was never truly allowed before, but if there are no Others then he is not bound by their laws. He assembles a body that resembles the one that was human and familiar, and projects it. It takes two tries to succeed, three to sustain it for longer than a meaningless collection of seconds, and no matter what he tries he cannot force his shape to manifest with glasses. Apparently his inner self, or however he chooses to define it, does not need them.
He loses track of how many attempts he makes before he can maintain his form visibly for any significant length of time. But finally, in a ragged burst of energy, the bewildered shape of Daniel Jackson reappears in Manhattan, and there he stays.
[ooc: Daniel Ascended back during the Rift Shitfit of September 4th, and he's only just figured out how to Do Things in his new state of being. Right now he's completely intangible and frequently phasing in and out of visible existence. I've added to his handy-dandy reference post as to what he can and can't do in this state. He can also show up LITERALLY ANYWHERE so if you want in on Ascended funtimes just pick a date and a location, or Daniel can pick one, or whatever.]
Temporal sequencing becomes a problem.
Awareness, too, is difficult to achieve. Gradually he is able to pull together the various components that comprise himself and reshape them into something capable of perception, but doing so strikes him with a revelation disconsolate, and that is that there are no Others here - no Ancients, nothing, simply an empty plane of shifting light and bottomless dark. And he is alone.
He knows he did this, and it was for a reason. But he finds he cannot remember anything, not immediately, and when the memories trickle back with his concentrated effort they are unfiltered and unstructured and unordered until finally he can impose the alien concept of linear time upon the thing, and fully interpret what he is in comparison to what he was.
Daniel Jackson.
The name is the linchpin that generates the outward ripples, spreading from that singular point of origin. It triggers the flood of remembrance, the 'gate, Manhattan, the locked-away knowledge that was once sealed in his head but now coalesces seamlessly into the whole of him now. He cannot delineate his form by shape or size or mass, not any longer, but now he remembers, he remembers what it is he can do and how it is he can do it.
He starts small because he must, drifting as a pair of hydrogen atoms while he glimpses the city on a reduced scale. Then he builds to it, the recollection of his shape. Spectrally manifesting was never truly allowed before, but if there are no Others then he is not bound by their laws. He assembles a body that resembles the one that was human and familiar, and projects it. It takes two tries to succeed, three to sustain it for longer than a meaningless collection of seconds, and no matter what he tries he cannot force his shape to manifest with glasses. Apparently his inner self, or however he chooses to define it, does not need them.
He loses track of how many attempts he makes before he can maintain his form visibly for any significant length of time. But finally, in a ragged burst of energy, the bewildered shape of Daniel Jackson reappears in Manhattan, and there he stays.
[ooc: Daniel Ascended back during the Rift Shitfit of September 4th, and he's only just figured out how to Do Things in his new state of being. Right now he's completely intangible and frequently phasing in and out of visible existence. I've added to his handy-dandy reference post as to what he can and can't do in this state. He can also show up LITERALLY ANYWHERE so if you want in on Ascended funtimes just pick a date and a location, or Daniel can pick one, or whatever.]
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He doesn't advance. He doesn't need to. Seth's already standing and facing his projection squarely, bridling at each statement. Daniel holds his stare, measured, even.
"I'm still your friend, Seth," he answers, exasperation leaking into the words despite his outward composure. "Dying doesn't change that. Nothing changes that."
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Daniel's damn right it's safer, so why shouldn't he do it? Of course it's safer, but it seems pointless to agree, because he knows what Daniel would say - or at least he knows what he himself would say, and maybe he shouldn't assume Daniel would too, immediately after Daniel calling him out on doing just that.
It might be safer, but it's not necessarily better, because by shutting himself off he also shuts out all the positive stuff. He knows that, and he's been trying not to do it, but clearly he hasn't succeeded. It's ingrained in him, and not something he can change just like that.
He deflates a little after Daniel's reaffirmation of their friendship. "I know that," he answers, scowling at the floor. He's not sure how they got to this point.
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"I don't want that to change," he says carefully. "I care about you, even if you don't always seem to believe I do."
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The affirmation is welcome, and, if he's honest, sorely needed. It's not like he has any reason to believe otherwise, he just needs to be reminded sometimes.
"Sorry," he says again after a moment, this time specifically for his angry outburst, rather than some vague, self-critical reason. He makes an effort to pull up some actual sincerity, to get out of this hole of misery he's dug himself. "It's good to see you," he says, trying for a smile and at least somewhat succeeding.
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His shape smiles, small and sincere. "You too. I really am sorry it, uh - happened how it did." He casts his focus more distantly, skimming the building and its tenants. "I apologized. To, uh, to Johnny. I, uh." And he draws himself back into the present with an apologetic shrug. "I didn't mean for him to see that."
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"Yeah, how dare you go and get yourself killed in front of him?" Seth jokes quietly, morbid humour to try to adjust to actually talking about it. At least his joke is lighter now, not just a bitter effort to push things aside.
"But yeah, he..." he starts, nodding a little sadly. "We weren't doing too great." Seth both saw and realised how terrible it must've been for Johnny, but unfortunately he was in no state to help - he still isn't. He just has to hope that Johnny's getting his support elsewhere.
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"As far as I can tell, he knows enough about the process itself but, uh, there are a lot of variables." He pauses and frowns, considering. "Really a lot. The way it happened turned out to be one of them. I was lucky it was slow enough that there even was time for me to Ascend at all."
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"How come you know this stuff about Rush?" he asks curiously, frowning. Last time he checked, there was all this worrying about timelines and paradoxes, and now they're on first-name basis? Or, well, one-way, anyway. Rush seems to default to last names.
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His projection at least has the good grace to look appropriately shamefaced about it as he tilts his head guiltily. "It wasn't exactly intentional on my part, but that's not exactly an excuse either."
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"So I take it telepathy is among the many powers an Ascended being has?" he asks, raising his eyebrows and leaning back. Despite not really understanding the situation, at least he's starting to attain some sort of equilibrium. Enough to be able to discuss this stuff.
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"But, uh, you could probably - I dunno, think really hard in my direction and I might pick it up?" It's theoretical at best, but he's not really sure what counts for a consistent method of contact when he's not even on the same plane as most of the people he knows.
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"I've got that too now," he adds, since he's not sure Daniel can actually see what powers Seth has. "But it's, um.. Touch-based, so. Can't really..." He lifts a palm towards Daniel's spectre, a gesture to indicate why it wouldn't work on him. Or it might, assuming Daniel wants it to. Hard to tell without trying, really.
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"I was even more so," he answers, flexing his fingers a little. "But I think I hit my limit in how many powers I can hold." Either that, or how many powers he can take during a short space of time. Perhaps he can hold more once the ones he has now have settled in him, once he's gotten a proper grip on them. Or perhaps not. "I keep, uh.. Doing things on accident."
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He lifts his projection's eyes to meet Seth's, vaguely concerned. "What kind of things? Nothing really uh, really life-threatening, right?"
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Most of it is just awkward. Like accidentally turning into a cat. Thankfully he hasn't done that in front of anyone yet. He doesn't think he could stand the embarrassment.
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"Damnit." He retreats back into himself, opening his manifestations' hands to study them. They appear as solid as ever, even if he feels like he's fading, untethered.
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"What's wrong?" he asks, which is just about the only thing he can do.
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The next moment he's scattered again, and the form he once held is gone.