Nicholas Rush (
lottawork) wrote in
bigapplesauce2015-06-13 04:32 pm
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what's mistaken for closeness is just a case for mitosis [closed]
Waking is not, historically, what Rush would regard as a favored activity. He is where he always is after being unexpectedly beset upon by sleep's inevitable grasp. The floor is solid and bracing, forming an aching spandrel between that plane and the paralleled arch of shoulders and spine. His skull is no longer the fractured mess it was, in reality left smooth and whole.
The entirety of the Rift's irritating, interfering traversal through the less fondly remembered aspects of his own past is etched into the anterior of his mind, still frames printed behind closed lids. He grinds the heels of both palms into his eye sockets with a fierce, fervent energy, as if it would be possible to scrub away the echo of that experience through execution of pressure alone.
He wonders how much of the dream's content is plausibly dismissible, an idea whose own plausibility he dismisses. Asadi was always too smart for direct obfuscation; it was what he liked about her, what he has continued to appreciate and value about her, but intimacy with one's past as exposed by the Rift is the unfortunate lead-in to a conversation he is certain they will be required to have and would prefer not to have, with her or anyone.
He is also aware, however, that he has been left very little in the way of personal autonomy in relation to that choice. Particularly since his latest endeavor in becoming more deeply acquainted with neuroanatomy has ground to a lamentable standstill, and to best acquire a more extensive knowledge base he will have to be - considerably more hands-on.
Fuck.
The trip to Asadi's apartment passes in its own dull-edged, lateral blur, instructions snapped out briskly to an unlucky taxi driver until he arrives, disheveled and recently woken and completely uninvited. It does not occur to him until after he has rung for her repeatedly that this may be potentially construed as socially unnatural or unacceptable, but he has already set certain events in motion and must see them to their uncertain conclusion.
The entirety of the Rift's irritating, interfering traversal through the less fondly remembered aspects of his own past is etched into the anterior of his mind, still frames printed behind closed lids. He grinds the heels of both palms into his eye sockets with a fierce, fervent energy, as if it would be possible to scrub away the echo of that experience through execution of pressure alone.
He wonders how much of the dream's content is plausibly dismissible, an idea whose own plausibility he dismisses. Asadi was always too smart for direct obfuscation; it was what he liked about her, what he has continued to appreciate and value about her, but intimacy with one's past as exposed by the Rift is the unfortunate lead-in to a conversation he is certain they will be required to have and would prefer not to have, with her or anyone.
He is also aware, however, that he has been left very little in the way of personal autonomy in relation to that choice. Particularly since his latest endeavor in becoming more deeply acquainted with neuroanatomy has ground to a lamentable standstill, and to best acquire a more extensive knowledge base he will have to be - considerably more hands-on.
Fuck.
The trip to Asadi's apartment passes in its own dull-edged, lateral blur, instructions snapped out briskly to an unlucky taxi driver until he arrives, disheveled and recently woken and completely uninvited. It does not occur to him until after he has rung for her repeatedly that this may be potentially construed as socially unnatural or unacceptable, but he has already set certain events in motion and must see them to their uncertain conclusion.
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"I doubt there's much to go back to," he says, a dry lacquer over his own persistent sense of loss. "The point in space from which I departed very likely no longer exists."
As Destiny ceased to exist, so likely did his sole remaining avenue to the D-brane from which he personally originated.
"Assuming that offer is still open by that time," he continues, voice softening incrementally, "I would be amenable to that."
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"I don't want to rule out the possibility that we could set our own spatial endpoint," she says, forcing herself to sound reasonable. "I mean, I never got that far in my efforts, but it's not impossible, it was a goal I was working toward."
Of course, to do this, they'll need to make significantly more progress on her arm than she thinks they are capable of.
"Either way," she says. "Uh. Yeah. I can't imagine the offer will close."
Okay enough of that. She swipes the bottle back and drinks a little bit more than would qualify as a single swig, sets it back down heavily and immediately drops her head onto the table.
"Oh-kay," she says, the full effect encroaching in earnest. "Yup. All right. Are you done yet, jeez."
His forty minutes have not elapsed, but surely he has to be getting close.
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"I'm sure I don't know what you mean," he says, compacting as much airy hauteur into his tone as possible. "I've been making considerable progress."
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"We're gonna have to clean the thing out," she mumbles, "before we can put any new mechanisms in there. Mm-hm." She pushes the bottle back to him. "You should drink more or you're gonna kill me. Come on, be more Scottish."
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"As if nationality were measurable by a gradable scale," he scoffs, retrieving the bottle and partaking in a prolonged swallow. The glass impacts the surface of the table with a pronounced snap as his expression twists into a vicious, one-sided smile, victory carved into the bright slash of teeth.
"Go'n tan yersel'," he says, deliberately stretching the vowels, the consonants rolling smoothly off his tongue.
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"To the victor the spoils," she says, and knocks it back.
She can't chug like she used to - it takes a few attempts to finish the whole thing - but she does it and slams the bottle back down.
"YEAH," she says, louder than necessary, then slumps down in a happy puddle, pointing vaguely at the kitchen. "All right. Gooooget yerslf s'more. I'm not gon' be this drunk by mySELF."
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Rush stands, scraping the chair back across the floor, and locates a second bottle about three-quarters full of some American-brand whiskey of dubious quality. A desultory scan of the other bottles in abundance reveals very little by the way of any alcohol-based products he recognizes. He returns, bottle in hand, and removes the cap with a deft twist of one hand.
"You're challenging a northerner, I feel you should be made aware," he says with artless indolence, retaking his seat. "An' next time y'can invest in some bloody Scotch."
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"Wha's so interesting, then?" he murmurs, his diction significantly more slurred but his facial muscles no less precise, eyes narrowing slightly in the direction of Asadi and her phone.
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"I don't lecture," he says, finding his tone, to his annoyance, to be lacking any sort of earnest scorn whatsoever.
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He considers the bottle and its contents before deciding against committing his liver to further unrest, making a semi-successful attempt to sharpen his consonants. "When it comes down tae it, everythin' is a math problem."
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She snorts at his second comment. "Well yeah, I guess you could argue that," she says. "But the variables get absurd when you're dealing with people, you can't make fuckin' proofs for 'em. What're you saying to her?" The question is tacked on seamlessly as she notes that he's actually answering responses and suffers a belated burst of alarm that he might say something stupid.
What is she thinking, it's RUSH. He's definitely saying something stupid. She holds her hand back out. "Gimme."
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A vain suspicion, perhaps, but what else do they have to talk about? Is Rush going to be asking her for baking tips? "C'mon lemme see," she says, grasping again.
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"I am fucking commandeering your fucking phone," he says, the words devoid of bite. "Go fucking find another."
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"You like her?" she asks after a decent bout of silence.
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It occurs to him that he has failed to elucidate this properly over text, though he's doubtless managed to communicate the sentiment regardless, if certainly less eloquently.
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She smiles to herself in spite of his surliness. There's something uniquely charming about Rush being nice to Greta, nice about her.
She reaches over to lift her dead arm up, closing it up delicately. It's a little lighter now, all scraped out like that; small favors. She drags it off the table and slides down from her chair, padding over to the kitchen to pour herself some water, moving a little unsteadily.
"Fuck me," she remarks. "It's not even noon."
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He sets the phone atop the table surface and leans back, eyes shut as he tries to evaluate his current ratio of alcohol to alcohol dehydrogenase.
He has significant difficulty pursuing that line of thought.
One eye cracks open as he watches Asadi move with a certain level of imbalance befitting one as obviously intoxicated as she.
"You," he murmurs, diction becoming progressively more slurred, "'re pure dead fucking brilliant. Not sure if anyone's told you. I'm telling you now." His eyes close again. "Don' say I said it."
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"Buh?" she says eventually, sliding the water pitcher back into the fridge. She stays put for now, standing there and sipping. "I mean I - yeah, people've told me that. You told me that, I ... I think." Didn't he? She frowns thoughtfully and waves it off, smiling sheepishly into her water. "You're pretty great. I mean. Smart." She takes a full drink of water to tide herself over the awkwardness of paying him an earnest compliment, then ends up raising her glass slightly as if in toast. "Pure dead fuckin' brilliant."
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"Aye," he says, raising it in toast. "Bang t'rights."
He is certain he will regret the entire sequence of events he has since set in motion as well as the result of them as it will be, inevitably, the sort of headache reminiscent of having one's brain pressurized and driven unremittingly into the back of one's own skull.
Intoxication allows the luxury of freely dismissing logic, so he throws the bottle back and drinks.