I. Jones (
i_jones) wrote in
bigapplesauce2015-07-25 05:32 pm
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we haven't had that spirit here since 1969; open to all
Welcome, welcome. Not through that door. I mean, you can try it, but all doors lead to breakfast. Even that one underneath the console. You thought you were being clever. Maybe once you've behaved yourself and the TARDIS judges you to be worthy, you can explore a little more. For now, breakfast. For one night only, the TARDIS has become - or rather, has been inhabited by - King Ianto's Coffee Stop. Would you like to join the club? He has pamphlets. And buttons! But more importantly, he has breakfast. Lots of breakfast. The countertops of the cozy diner are lined with plates of breakfast foods galore - bacon, eggs, sausage, mushrooms, tomatoes, black pudding, cockles, laverbread... and okay, there are American staples too. There's your pancakes and your french toast and hash browns and cupcakes or whatever strange sweet things Americans eat for breakfast. Oh, and tea. Lots of tea. And if you ask very nicely, King Ianto himself might brew up some of his very own coffee. It's so good, it has a cult following.*
The walls are decorated with a strange collection of primarily alien souvenirs. There's one whole section of postcards from other planets and galaxies. GREETINGS FROM MARS! says one particularly upbeat postcard, featuring swathes of blue sand and a setting blue sun. Many others are unreadable. There are flags, leis of unfamiliar flora, letters of commendation (right next to WANTED signs), photographs both old and new of various people and various Doctors posing next to various monuments and landmarks, and strangely enough, what looks to be a stolen sign commemorating Ianto's death, from the management of Mermaid Quay. Have a look around! You never know what you might find. Probably none of it is dangerous. The food definitely isn't.
Oh and also the ceiling is space and outside the windows is space and spaaaaaace.**
*((Ianto has an undiscovered power: his coffee improves you. Your health, your powers (temporarily), your mood, whatever needs fixing. Please drink responsibly.))
**not actually space
The walls are decorated with a strange collection of primarily alien souvenirs. There's one whole section of postcards from other planets and galaxies. GREETINGS FROM MARS! says one particularly upbeat postcard, featuring swathes of blue sand and a setting blue sun. Many others are unreadable. There are flags, leis of unfamiliar flora, letters of commendation (right next to WANTED signs), photographs both old and new of various people and various Doctors posing next to various monuments and landmarks, and strangely enough, what looks to be a stolen sign commemorating Ianto's death, from the management of Mermaid Quay. Have a look around! You never know what you might find. Probably none of it is dangerous. The food definitely isn't.
Oh and also the ceiling is space and outside the windows is space and spaaaaaace.**
*((Ianto has an undiscovered power: his coffee improves you. Your health, your powers (temporarily), your mood, whatever needs fixing. Please drink responsibly.))
**not actually space
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So it's early evening, and she's tromping through the Ramble with only a vague idea of what she's looking for and a carefully packed bag of Cinnamon Rolls as Big as Your Head balanced against her hip. She was only able to fit about half a dozen in the bag, but whatever, they're shareable, and how big of a party is this going to be, anyway?
The blue box, when she finally spots it, is a hell of a lot smaller than she was expecting it to be. Which isn't to say it's titchy - it's a pretty good-sized crate, like something you'd use to ship a refrigerator - but it doesn't look like it could hold a party. Maybe there's a stairwell inside. She glances around for any obvious signs of an ambitious prank, then reaches forward and raps her knuckles against the door.
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She eyes Ianto a bit dubiously as he pulls the doors open (human, she'd judge - or close enough - and not hiding any grand deceptions in his shadows, so that's encouraging), and then she's pretty goddamn distracted by the fact that said doors reveal not a staircase spiraling down into some subterranean mancave, but an entire frigging room. One nothing like what she saw in the invitation, for that matter. Her eyebrows creep up as she crosses the threshold, and if this is magic-handling, it is well above her paygrade. The transition is seamless from the exterior of a big-but-not-that-big box to the interior of... she doesn't even know how to classify it. Like an extraterrestrial science lab, but with the aesthetics provided by a precocious nine-year-old.
"....... Huh," she says, eloquently.
The shadows in this place. They all seem to go a long way down, each one offering a vertiginous glimpse into something she doesn't want to examine too closely, not least of all because she brought food. Gods and frigging angels, what is this place?
She realizes, belatedly, that she's been standing and gawking for a good ten seconds or so, and she makes herself look back at her host. "Um. Thanks?" It comes out more uncertain than she wants it to, but it's going to take a few minutes for her to get from 'what kind of physics-defying place is this' to 'yes glad to be here.' She attempts to compensate with, "I brought cinnamon rolls."
had to take a 'hahaha wait which tardis are we in whoops' break
"Oh, excellent. I've never seen it much as a breakfast food, but when in Rome." He hops - or rather, carefully steps, holding onto the railing, because he just didn't feel like using his cane today - up the stairs to the center octagon-ish thing. "I'd offer a tour but she gets tetchy about strangers poking around. Breakfast is through here," he adds, turning to gesture up the curved flight of stairs.
the shiniest one!
"Oh," she says, mentally stumbling over both the personification and the pronoun switch - so their surroundings are a 'she' now? - but she's not inclined to correct him. He's not the one incredibly out of his depth right now, and it seems prudent not to push her luck when this mystery female-type is being described - albeit fondly - as 'tetchy.' We'll just put a proverbial pin in that one.
"I'm a baker," she explains as she follows him up the stairs, hesitating to offer any help because he seems to be doing well enough on his own, and also her hands are kind of full. "So I figured I should bring something. I'm Sunshine, by the way." Probably should have hit that beat sooner, but she's been just a bit distracted.
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"Sunshine, hello. Lovely name. Ianto Jones. But you probably knew that." He opens the door at the top of the stairs and escorts her into the diner, obviously unperturbed by the abrupt change in decor (and also, spaaaaace). There's a pile of clean plates at the end of the counter, and he takes one, moving down the line and grabbing several pieces of buttered toast for his plate. "Please, help yourself. Or take a seat and tell me what you'd like."
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She wonders, for a moment, if this is the sort of thing her dad could have pulled off.
Delete that thought. As if she doesn't already have her work cut out for her without taking inspiration from large-scale illusions that fall well outside her wheelhouse. She commandeers a plate for her cinnamon rolls, first, because a bag isn't their natural habitat no matter how carefully she packs them, and digging them out of said bag is a chore she doesn't want to entrust to anyone else. Then, ignoring the vaguely rude impulse to take one for herself (as if she can't have her own baking whenever she likes, and as if it wouldn't be rude to show up to a party and then refuse to eat anything she didn't make herself), she takes a fresh plate and starts following Ianto down the line.
"So, uh," she begins, gesturing to the ceiling with a freshly obtained fork, "what exactly is this? Because we have magic-handling back home, but... not to this, um. Degree."
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She piles some fruit on her plate, then lifts a muffin and gives it an assessing look. "'She' being the TARDIS," she hazards. "So... what is she when she's at home?" Tech this advanced has to have a purpose outside of 'throwing shindigs.' Probably.
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"Mmm," Ianto says, half affirmative and half response to the small piece of bacon he's just popped in his mouth. He gives it a moment and swallows, adding more bacon to his plate as he waits. "She's a ship with the ability to travel through time and space and occasionally dimensions, although she's been shipwrecked here in Manhattan, as it were." So, yeah, mostly for parties now. I mean, she does other stuff, like keeps them alive and safe and fed and provides for their every need really, but mostly parties. "Can't go to the stars, so I brought the stars to us instead." A brief frown. "Well, a suitable facsimile."
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She decides to give the muffin a chance and adds it to her plate, then slides into a booth. "My brothers would flip out," she says, looking over the room with new appreciation. "This is right up their street." Presuming interstellar dogfights were involved, but from what she's seen, the TARDIS doesn't seem like that kind of spaceship. She tears off a scrap of the muffin and chews it critically for a few moments before deeming it Not Bad.
"So, if she's the ship, does that make you... crew?" Captain? First Mate? Cabin Boy? Ships of the seagoing or space-traveling varieties were more her brothers' bag than hers.
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He does have a guitar, though, because he headed straight into the Ramble from his usual busking routine. This isn't quite the area he recalls the TARDIS being in when last he saw it, but that was a little while ago; they probably move it around every so often. The bold blue is easy to find against the trees, at least, and when he spots it he doesn't hesitate to stride up and knock on the door.
The songs it sings aren't quite audible out here. No wonder it took him longer than he'd thought to track it down.
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"No, no! I've still got a license ROMAC gave me." Is that still valid? He considers the question, then shrugs and adds, "And I'm good at avoiding cops. I just didn't want to walk all the way home to drop it off." Is that fine? Is it weird to bring an instrument to a party?
Well, too late, he's here now. He turns from looking up at the strange arching architecture of the TARDIS to smile back at Ianto. "How've you been, Ianto? I haven't seen you since before all that mess." You know, with the factions collapsing and the Rift throwing a huge tantrum all over Manhattan. That was fun!
i am the worst at tagging????
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"ROMAC fell apart, after someone broke in and released all their prisoners." He doesn't know who did it, obviously, why would he know something like that? "And then the Rift pitched a fit - I don't honestly know how they managed to keep it all secret before, but that cat's out of the bag now." That all sounds a little much, but he delivers the news casually, as if it were a minor inconvenience. It was inevitable, wasn't it? Things that big can't stay hidden forever, no matter how big the lies are spun.
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He spends his time - and keeping track is still beyond difficult for a construct that largely exists in the nonlinear - observing the ebb and flow of the Rift when, upon glimpsing the congregation of souls within that proverbial beacon, Daniel's attempt to manifest brings him squarely in the center of it.
So to speak.
He raises insubstantial eyebrows as he gazes about the room into which his form has landed, the ceiling with its swirl of vespertine nebulas, and with a pang of longing finds himself briefly wishing that glimpse of the universe was an actual window into the thing itself. But such things would have to be, in this Rift-monitored slash of universe, regrettably finitary in nature.
Daniel still can't help but regard the entire construct with captivated awe. Tethered as he is, as this place must be - it's still so much beyond what he would have ever thought capable.
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Most of her vast focus turns towards the entity with apprehension, and the fact that she isn't sensing any immediate ill intent goes some ways towards easing her alarm. The intrusion hadn't been violent or forceful either, somehow the creature had managed to match the subtle frequencies of her private contained reality with ease, existing in tune with her. And what is it, anyway? On the heels of anxiety follows curiosity and she reaches out gently, offering an inquisitive greeting. In the back of the diner, her humanoid form turns towards the manifestation and watches it intently, even though the action isn't a conscious one.
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Aaaaaand he may have more or less just trespassed upon what amounts to be a private space.
Whoops.
He projects a wave of apologetic reassurance in response, hasty and multidirectional, and hopes it communicates his intent of not meaning to invade. He never does. Without any means of controlling where he ends up, however, it's all something of a lost cause.
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She offers a friendly welcome in return - no harm done by the accidental intrusion - though she doesn't hide her bemusement and a certain degree of guardedness towards the stranger. She also takes the liberty to examine the being a little more closely, finding it to be a multi-dimensional waveform of pure energy not precisely known to her, though not wildly different from a few creatures she's encountered before. As part of this thought she projects an inquiry for identification - does it have an identity, a name, a species? This is definitely going to be a most interesting conversation.
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He doesn't entirely know how to define what he is, as he doesn't exactly have a reliable metric on hand to compare himself with any other Ascended types, and his vaguely eidolic presence here probably isn't helping. The presence seems to be inherent to the architecture? Some kind of sapient loci? But then, the construct itself isn't precisely linear which is, bizarrely, a relief - everything else, sans the Rift, has been more or less arranged into a sequential progression, which is less than conducive to what he is these days.
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Immediately most of her friendly interest turns cold, her welcome not rescinded but on wary probation. Now that she is looking more closely, one of the myriad fluctuating energy signatures knitted into his being is the same that Rush carries - the faint and unique echo of their home universe. There is very little doubt as to what she is dealing with here. Ancient, she asks to confirm, the singular word/concept tinged with resentment.
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The fact that the other presence is capable of recognizing his nature is both alarming and vaguely worrying, to say nothing of the glacial apprehension now being directed his way.
Recent development, he tries to amend, the reassurance feathering into uncertainty. I was dying. I took another option.
It's a simplistic explanation, but it's not exactly a concept that lends itself well to succinct summary. He briefly cards through a rapid sequence of images, unsure of whether psychical-visual communication is strictly up their mutual cosmic alley, tracing back to the distant sensations of humanity and tangibility until the moment the current of undiluted Rift energy knifed into him on the floor of Johnny's apartment, forcing him to take the form of energy transcendent.
He had no idea how comprehensible the wordless explanation will be to a being of equal or greater magnitude, or whether it fully encapsulates what, precisely, he is now. Particularly since he isn't entirely sure of the last point himself.
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Whatever the case, she doesn't see any of the callousness and arrogance other such Ascended beings reportedly have, so her apprehension returns to more polite levels, for the time being. The physical process of ascension doesn't necessarily need to be tied to only one loathsome species, after all. She approaches his insubstantial manifestation with her humanoid form, tilting her head in consideration, wondering if being formerly human might cause him to prefer verbal interaction. "I'm called the TARDIS," she offers. "You are... quite strange."
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"The TARDIS," his spectral form repeats, confusion briefly clearing. "I know you - I know of you. I don't think I've ever seen you."
He can feel her potential humming through every vibrating curve and circuit, knowledge and space made infinite in a form less suited to a human shape compared to his current form.
It's immense. He can't resist another dim pulse of reverent curiosity, though he keeps his atoms confined to where they are, doubtful she would appreciate him simply meandering throughout her interior unannounced.
"I'm sorry," says Daniel, again looking abashed. "I really didn't mean to just - float in. It's hard to control everything this way, like this." He opens his incorporeal hands to signify his current appearance.
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"It must be rather overwhelming to someone natively human, this form of existence," she agrees, sharing her own curiosity about him and the process which created him, as well as a sort of understanding, though not precisely sympathy. Humans are so woefully limited, and now he is anything but. "Have you not had a chance yet to... explore the reaches and limits of your existence? To familiarize yourself with your new scope of reference?"
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He smiles, a small partial grimace with an uneven self-deprecating slant. As far as he's progressed, as far from human as he is now, his own outlook remains a confusing mix of human and not, both grounded and lost in the Rift's formless shape.
"It's interfering with my ability to understand." Frustration colors his tone as he looks back at his manifestation. "It's interfering with a lot, actually."
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Though he has no idea what a 'police box' is, finding a big blue box in the Ramble isn't all that difficult. The size of the box he finds, however, gives him pause. Peeta stares at it for a solid minute, momentarily concerned - though whether because he might have the wrong place or because he might have the right place, he couldn't say. Despite the box's small size, its color - and the 'POLICE BOX' emblazoned on it - indicate that he's where he's supposed to be, so he walk up to the door and knocks.
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"Ah, yes?" he replies, his confusion leaking into his voice. "I'm sorry - was the invitation only for certain people? I thought it was open to everyone." He certainly hopes the latter is true; he would be disappointed to find out now that he couldn't participate.
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And should anyone like to meet their unofficial host, she'll be perched atop a swively stool at the back of the diner, matching the view outside and observing the proceedings.
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"Hallo," he says cheerfully, approaching her. "My but it has been a while. Do you mind if I join you?"
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Living in the TARDIS afforded Calliope the delightful privilege of being involved in the party planning (the bowls of edible glitter and jars with red and green swirly lollipops had been her contribution), but even so she took care not to visit the appointed room before it was all set and ready, so as not to spoil her first impression of it. And by jove, impressive it is! She hardly knows where to look first, the magnificent multi-colored space outside or the wealth of fanciful trinkets lining the walls. There aren't many people yet, so she can unabashedly stare at everything with wide eyes while wandering down the room, until she finds an empty spot on the counter for the special surprise she has prepared - a basket full of cinnamon rolls soaked in meat juice, one of her own culinary creations. What good fortune it is that she happened to find a last bag of flour untouched by those dreadful weevil creatures in the back of a pantry just yesterday! She arranges them neatly among the other delicacies, determined to keep an eye on them in the hopes of witnessing someone's enjoyment of her little gift. Then she climbs into a booth to examine all the different pictures and signs and cards, soon delighted to find unfamiliar photos of various familiar Doctor faces to giggle at.
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It is, however, late afternoon when she wakes up and receives the message, and she feels an upwelling of kindred feeling when the man specifies that this breakfast will be served in the evening. If more people thought like that, the world would almost certainly be a better place. She's also curious; some of what she saw in those images looked like proper magic, which has been sorely lacking since her arrival. Maybe he's some sort of caster and they can swap trade secrets (or he can tell her trade secrets and she can pretend she's the harmless little illusionist she almost was before...well).
Survival instincts dictate that she assume this might be some sort of trap, but she still finds herself at a loss when she finally locates what she thinks is the "blue police box" in the park. It's blue, and it says police on it, and that kind of seems like a sign, but it's also a box and very obviously not a charming little restaurant with the dark tapestry on the other side of its windows. She knows more than anyone that appearances can be deceiving, but it's with a wary air that she finally steps up and gives its door a brisk knock, Biscuit lurking at her heels.
[for Melanie and Lilly]
"This is the TARDIS," he says, directing his attention mostly to Lilly. Melanie's capacity to understand of things is faultless; Lilly is more the concern here. "Remember, we told you? She's a very powerful ship. See this box?" He gestures up to her exterior structure. "Inside it is much, much bigger. So big you can't even imagine. But these aren't just rooms, all right? They are a person. She can see you and hear you and talk to you. So be very good, all right? No drawing on these walls."
Melanie may have helped coach him on this speech.
This said, he straightens up and holds out a hand for each of them. "Ready?" he says, and leads them through the doors.
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Even though the angel had explained about the size difference, Melanie still beams excitedly when they step through the doors. It's like something out of a book, and it feels like magic even though she knows it's really science. None of the science books she's ever read have covered anything like this, though. Maybe the TARDIS has books about it. Maybe the TARDIS has a whole library of books.
She can ask about that later. They're here because they've been invited to breakfast, and that will mean politely nibbling on cooked meat or something. She doesn't mind that, though; not when it means getting to visit someplace as fascinating and beautiful as this. "Look!" she says in a delighted undertone, all but hanging off of Aziraphale's arm as she gapes up at the console.
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A weird looking blue box that positively terrifies her once they're through the door. Because it isn't a box. Not really. Which is terrible because Lilly likes boxes. She likes being in small places. She likes wooden walls and trees outside and running water nearby and everything that this place is very much not.
Her fingers are practically aching from how hard she's clutching the Principality's hand. Eyes wide, she's doing her absolute best to attach herself to his leg as a rather permanent fixture.
Then Melanie speaks and, despite her fear and just general sense of being far too overwhelmed at the sights and sounds and massive size before her, Lilly finds herself relaxing. If Melanie isn't scared, it's fine. Big and shiny and loud and scary but safe.
Slowly, but surely, she detaches herself from Aziraphale's leg while peering around him to look at the only other little girl she's ever known aside from Victoria. Sure enough, Melanie not only doesn't seem scared, she actually looks excited. It's confusing but Lilly does know one thing with absolute certainty.
If Melanie is excited, there's probably a good reason for it. And if she's this thrilled, Lilly wants to be absolutely certain she's close enough to be a part of whatever the other girl thinks is about to happen. So with a quick glance at Aziraphale and a rushed, half-mumbled promise of, "Lilly no draw," she quickly pulls her hand free from his and scurries around him, to Melanie's other side.
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"Would you two like to do a bit of exploring?" he offers gamely. "As long as you stay in this area, it's all right." The TARDIS will be overseeing things by nature, and there are several others present. He doesn't want to hover over them. As long as Lilly behaves herself, they ought to be free to have a look, he reasons.