bigapplesauce | things have gotten closer to the sun [closed]

Current Location: Greenwich Village, Iman's apartment
Current Music: October 6th, 2013, around 2am

Entry tags:

things have gotten closer to the sun [closed]

He has it.

It had come together unprompted, without the click and slide of a solution slotting easily into place. There is never a click, a common misconception even in the highest echelons of academia - there is never a well-timed stroke of brilliance turned over by some new fragment of insight, simply the give of a problem folding beneath the fierce, continuous, brute force pressure of the uncontained mind. For weeks he has considered it, has become an expert in fields utterly beyond the scope of his specialties or his prolonged interest, and even with the minor distraction of Jackson's spontaneous return to the flesh, he has done little else but attack the set of circumstances without compromise.

The dog is asleep when he exits the building, and he locks his door upon departure, his movements streamlined by the fervent intent of intellectual energy, the strap of his bag taut over his chest as he commits himself to the grueling inadequacies of public transportation.

He knocks immediately upon building entry. He expects Asadi will be waiting for him.

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"You did." She settles back as well, drawing her recovered arm along with her, treating it gingerly, like a fragile thing. She holds it in her lap for a moment, gazing down at it, then looks back at him.

"We're going out," she says. She feels giddy, ridiculous. She wants to do something stupid. She wants to have fun. "We're getting a couple bottles of something and whatever else piques our interest. Get up." She slides off her chair, moving toward the door, a little bit unsteady, re-acclimating to the feeling of having balanced sensation, no longer off-kilter.

"I'm certain I'm doing no such thing," he says, striving for affronted but succeeding only in sounding puzzled. "I find it supremely unlikely that you should be, considering you seem to be having trouble walking in a straight line."

He scrapes his chair back as he rises and catches one of her wrists.

Possibly the one he just repaired.

He endeavors not to think about it.

He eyes her warily. "I wouldn't recommend it."

"Of course you wouldn't," she says smoothly, flipping her palm to catch his wrist instead and pull him toward her, as if, absurdly, they are going to dance. "Don't be an asshole. It has been almost a month to the day. It's 2am and I can't show Greta yet and I am not going back to sleep. So you're going to celebrate your accomplishment with me. No. Arguments."

She smiles and releases him, extricating herself and moving back to the door, holding it open. "Come on," she says, patting her thigh like she's calling a dog.

"And what, pray tell, is your idea of celebration," he says coolly, narrowing his eyes at her urges to acquiesce and doing nothing of the sort. He certainly did not exit his building with the intent to do ill-advised damage to his liver, nor does he anticipate this being a particularly wise decision on Asadi's part.

Rush looks at her, arms folding over his chest as he tries and fails to not waver in indecision.

He sighs.

"I suppose I would do well to ensure that the repairs hold," he says grudgingly, like he's actually considering it.

"Mmmmhm," she says brightly, taking this to be victory enough, stepping out completely because she knows he'll follow.

As she heads down the stairs she says over her shoulder, completely unconcerned about any sleeping neighbors in the building, "I don't think I want to stay out somewhere. But there's nothing properly celebratory in my apartment. We need to do a supply run. What, did you really think you were just gonna come over and do this and exchange a professional handshake and that'd be that? You know me better than that, Doctor."

He follows her, lingering a half-step behind. He is not terribly predisposed to partake in celebratory aftermaths, familiar as he is with the practice in theory. Prolonged contact with that amount of nonproductive function could never successfully obtain his interest.

"Completely unwillingly, I assure you," he says dryly. "And by 'supplies' I assume you mean a method by which we can get completely fucking smashed."

"Maybe only somewhat fucking smashed," she says compromisingly, leading him happily out the building and down the street. "I'm flexible. I can't believe you're gonna whine about this. After all that fun we had last time?"

Yeah, last time, with the cat making open threats and all? Wow that was so great.

She presses on doggedly. "We could get a movie. Do you like movies? I introduced Greta to movies not too long ago." She can't even imagine Rush watching a movie, which means obviously she needs to make it happen. For science.

Yes, well. He has not conceded the secondary objective, even if Asadi is determined to insult their joint skillsets by continuously deriding the very idea.

"I don't spend much time contemplating fiction," Rush says stiffly. Eli had been exceptionally fond of employing manifold references to items of pop culture he should have known full well would land entirely beyond the scope of anyone's interest, particularly Rush's own.

The night air is cool and clean, breeze catching loosely at his hair, and in conjunction with the sweeping, glittering crest of building tops, it is not unreasonable for him to be reminded powerfully, briefly, of San Francisco.

He turns his mind from the distraction.

"Of course you don't," she says with a wry smirk in his direction. She leaves him be until they've reached the little store; stepping in, she nods hello to the man at the register and proceeds directly to the wall of cheap liquor at the back.

"Pick your poison, I'll pick a flick," she says easily. There's a conveniently located rack of even cheaper DVDs. She flips through them, eyeing the bland-looking romantic comedies with disdain, until she finds precisely what she's looking for.

She grabs a jar of olives and proceeds to the counter.

Rush says nothing but simply arches a brow, his features composed and disdainful.

Poison would be an uncomfortably apt description, he notes scornfully, surveying the selection of alcohol with frosty indifference. A brisk scan of the rows of dark- and clear-colored glass uncovers nothing so palatable as Scotch, and he scowls. He seizes some typical, revolting, American whiskey by the neck of its bottle and rejoins Asadi at the front.

"And what the fuck," says Rush, dubiously eyeing the plastic, colorful rectangle laid atop the counter between bottle and olives, "is that. Exactly."

Iman hands the stoic cashier money, takes the bottle and waggles it at her companion. "You haven't even had any of this yet. It's almost 3 in the morning, your peak hour of awareness. You can't be having such intense short-term memory problems."

She accepts her change and bag of goodies with a polite thank you and turns to lead Rush back out into the night. "It's called a movie, Rush. You know, that thing I just suggested. We're going to watch a movie. It's going to be fun. I've seen you fun. I know it exists. And I," she turns back, showing him, showing him gleefully the result of his work as she holds both bag and bottle in two different hands, "have earned a glimpse."

More to the point, he's earned it himself. But she knows that won't get much traction with him.

He looks at her with an expression he hopes communicates nothing but utter disdain, feeling that at this point any eye-rolling would simply prove superfluous.

"Remind me never to comply with any scheme of yours ever again," says Rush, "as your idea of fun appears to significantly deviate from my own."

He is fully capable of departing from her gratingly cheerful company and returning to his own apartment, blissfully devoid of movies or social obligations of any kind save for the indifferent dog, and his strand of reasoning dissolves into weary acquiescence for no reason he can immediately enumerate to himself.

"Oh my god, what is your idea of fun?" she says, forcing herself to slow a bit so she can walk in step with him. "Seriously, please enlighten me. Is it working? Working doesn't count. Work is... fulfilling. Sometimes fun, the adjective. But it's not fun the noun."

She feels very strongly about this, apparently.

"Obviously we've a difference of opinion," he says dryly. "Your understanding of the concept does not remotely align with mine."

Approaching the familiar looming silhouette of her building cultivates a mounting feeling of trepidation, which he dismisses on principle. Whatever Asadi's notions of sufficient pastimes may include, at least he may anticipate the presence of ethanol to counter it.

Edited 2015-08-30 17:01 (UTC)

"Obviously," she says. Well, fair enough. She supposes he's entitled to his weird Scottish opinions.

She quiets for the rest of the way home and leads him back upstairs; once there she sets things out and slides the movie disc into her computer.

"I've never seen this," she says. "Doesn't exist in my universe. But I figure anything called Die Hard has to be worthwhile, right?" She smiles at him and grabs the jar of olives. "Hey, look what I can do."

She opens the jar. The arm is still a little stiff and awkward but it's running about as smoothly as can be expected, and really, working with what they had, it's more than she could have hoped. She smiles, digs out an olive and pops it in her mouth.

"I'll make you a deal," she says after a moment. "Tonight you subscribe to my idea of fun. After that, I'll subscribe to your idea of work. And we'll... we'll figure out the secondary objective."

She glances up at him, meets his eyes. "Okay?"

He is certain that any film boasting that sort of title is overwhelmingly likely to not be suited to his time or to his tastes, selective and profound as those may be, and he eyes the case skeptically.

He heaves a weary, possibly exaggerated sigh and retrieves the bottle of likely revolting whiskey. Considering the length of time he has been awake, it is not unreasonable to presume he would lack the requisite finger strength to open said bottle. The corner of his mouth twitches. Alleged failure of an objective is remarkably simple to manufacture.

"I suppose," he says crisply, extending the bottle to her. "Do me the honor?"

Edited 2015-08-30 18:01 (UTC)

Iman raises an eyebrow at him, smirking as she takes the bottle and opens it easily.

"For such a sneaky shit that was pretty fuckin' obvious," she says, grabbing them a couple glasses and pouring a little in each. She hands his off to him. "But I'll let it slide. You know I love opening things. Bottles. Locked doors. Cans of worms."

She slides onto her couch and gives the space beside her a little pat. "Come on, let's see what 'Die Hard' has to offer us."

"Improbably-shot, commercially masculine conflict, no doubt." He studies his glass and its amber-colored contents with disdain before draining the thing in a brusque swallow.

He complies with a resigned sigh, dropping onto Asadi's couch, glass still in hand, worrying the rim with a persistent thumbnail as he watches Americans talk about planes and post-flight relaxation procedures.

The headache that has taken residence behind his eyes exponentiates by insufferable increments. He shuts his eyes against the screen's vibrant, pixelated glare, which succeeds in taking the edge from the bright supraorbital pressure.

Uninterested in contemplating the merits of Die Hard or its, apparently, law-upholding protagonist, he considers the secondary objective. That will certainly require more time, significantly more knowledge on the sort of implements Asadi stored within her arm, the specific properties of each ability she has since demonstrated, and he must debate the benefits of replicating the interior or creating his own system autoschediastically, a possibility with which he doubts she will be highly enthused for a number of reasons, all of which break apart upon contact with his mind as it progresses toward the thing it is progressing toward, his head sunk to one shoulder, his breath quiet and even, his musculature slack and still.

The movie starts unpromisingly but Iman doesn't care; she's set to enjoy it. It doesn't take long, however, to note Rush's state, and for a moment her attention is drawn fully away from the screen and onto the sleeping cryptographer. Her eyes get very wide indeed, feeling herself light up as though she's being presented with a puppy. This is a sight she never expected to see.

For a moment she's not sure what to do, if she should rouse him or just let him be - pause the movie or let it carry on - go to bed or stay here. She decides to go with option B in all three cases, though she does turn the movie down a bit, after after a moment she tugs loose the same blanket she and Greta had sat wrapped up in not too long ago to drape it gently over him.

She settles back and watches the movie, which improves exponentially as it gets more and more into its comfort zone of action and suspense. It's enjoyable, but she's only half-concentrating on it, her attention mostly on the small miracle of her mood, finally coming down from almost manic elation to settle into simple contentment. It's not just that her arm partially works again, it's that Rush is here. He'd probably rather be at home trying to be productive, falling asleep on his floor, but he stayed here, and he allowed himself to drift off in her company.

She pulls her legs up and wraps both arms around them, smiling as she rests her chin on her knees.

It doesn't take long for her to drift off as well, the movie continuing unobserved.

Static presses dimly behind the ache in his eyes, mantling his mind in the warped, digitized fuzz of numerical error. There is a tone humming persistently in his general vicinity, its temerity marginally shy of unbearable.

His hands fist into the fabric covering him as he attempts to realign his mental pathways, resolute despite the sensation of being irreversibly mired in choppy, viscous postsleep neural sludge.

His eyes snap open in parallel to the pressing of hands against the first lateral surface, which is the seat of a couch and he does not own a couch nor does he sleep on couches as he has long since made this a necessary criterion for his state of being.

He twists himself upright, apparently overestimates his body's sense of balance and weight in relation to gravity, and ends up on the floor.

He employs the couch as leverage to drag himself back into what can be possibly construed as a sitting position and tries not to feel asthenic.

The tone of the screen and its insistent murmur of static has grown intolerable and so he lurches fully to his feet and begins cutting an unerring line for the door as he requires coffee absolutely fucking requires it and he will require it immediately and then he will need to get the fuck away from this couch he does not own a couch.

Iman stirs amidst all the flapping around, blinking sleepily around her living room, for a moment too disoriented to remember how she wound up here. Rush hauling himself up from the floor and staggering off somewhere like a man possessed brings it all back, and she grins sleepily, stretching out her recovered arm. Stiffer than it was last night - it'll require a lot of maintenance before it's up to snuff, but it works, and it feels so good.

"Hey," she chides gently. "Where do you think you're goin, without so much as a g'morning?" She rolls off the couch and pads over to the kitchenette. "Settle down, I'll make you coffee for the road."

"I do not sleep," growls Rush, "on couches."

He makes it to the door and leans against it with a press of forehead to wood as he attempts to condense his perception and his irritation and his fatigue into something marginally workable. There are a number of things he can ascertain. One - recently, to his superb exasperation and despite his endurance and continued resistance to any such outcome, he fell asleep. Two - he fell asleep on a couch. Three - Asadi is present. Four -

He savagely aborts any further enumeration when his mind brings all the relevant pieces together under a single permutation: he is not in his apartment. He is in Asadi's apartment, and it is, clearly, early enough in the morning for him to be sufficiently disoriented.

Rush sighs and opens his eyes. The vertical streaks of wood grain inches from his nose are incapable of holding his interest, and he turns away.

"Oh, sure," she says, setting up the coffeemaker. "Well, I won't tell." She turns to look at him, watching the very visible struggle as he recovers himself piece by piece. "Bathroom's through there," she says with a nod toward the appropriate door. "Coffee'll just be a minute. I'm going with you. I want to show Greta what you did."

She turns away, lets him fend for himself, getting a thermos out of the cabinet for Rush's journey home. It's so easy, just falling back into step, using both hands again - but it feels new, too. She smiles to herself, flexing her fingers slowly. She can't open them up, can't activate the little internal mechanisms, but they're all in place, fitted delicately back in, dormant for now. They'll figure it out. As they promised each other.

He flaps a hand dismissively in her direction but concedes, reluctantly, that there may be some merits in heeding the tacit suggestion. The bathroom's white tile is unbearably bright against his retinas. He flips on the water with a sharp twist of the faucet handle, letting the water run cool and laminar over his hands before cupping splashes of it over his face. It tastes bright, clean.

Rush sighs with both hands braced against either side of the sink, and breathes.

He dashes the back of a wrist over his face, swiping away the sleep sticking to his eyelids, and exits.

"Of course," he says dryly. "I should have assumed. Planning on telling her anytime soon?" He delivers the question smoothly, seamlessly injecting it into the conversation with a vagueness he's certain she'll find less than amusing.

"It'll be better as a surprise," Iman answers just as seamlessly, for a moment oblivious. "It's not like I don't have a habit of dropping in unan-"

Oh wait. She lifts her head, rolling her shoulders back slightly as his intended meaning reaches her.

"...Right," she says. "I don't see why it matters so much to you."

She pours the coffee into the thermos and shuts it tightly.

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