The Baker's Wife (
andhiswife) wrote in
bigapplesauce2015-04-06 07:20 pm
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Just a Few of Us [Open to Multiple]
If it was just the one baby, Greta suspects it would be easier than it had been at home. She doesn't have to balance childcare with running a bakery, and her apartment is too newly-settled (and little-trafficked) to require anywhere near as much cleaning as a shop. And if ROMAC hasn't provided her with much in the way of human aid - there is a nursery she can bring them to when necessary, but it's busy and noisy and a few of the children there have alarming Rift enchantments to contend with, so she treats that as a last resort - at least they've given her all the material things she could need.
(It both helps and distantly rankles that she's used to doing the bulk of the work herself, anyway.)
Two, though. Two are a literal and metaphorical handful. She often finds herself thinking it's just as well the Witch only promised them one, for both their sakes, and then just for his, and then she has to stop thinking about it. So perhaps it's just as well that she has two to distract her, now.
The poor, motherless things. If they're really motherless. She should stop thinking about that, as well, if only because she hasn't the first idea how to track down their parents if they are here, and it's not safe for her to reach out to those who might be able to help her. Maybe they are orphans. Either way, the best use of her time and energy is giving them the best possible care, so... that's just what she's going to do.
Alone, if she has to.
[ooc: so, Greta's gonna be watching these two tiny babies for about a week and presumably is not going to have much time for anything else, poor woman. But she'll almost certainly welcome visitorsunless you're an emotion-nomming creep! If your character can finagle their way into the ROMAC base, feel free to have them drop by her apartment. If you can't realistically get into ROMAC but still want in on the baby-related redonkulousness, drop me a line and we can finagle a way to get her out into the Park or something.
Also, since this could take place at any time over the course of a week, just pick your date and put it in the header of your top-level for reference.]
(It both helps and distantly rankles that she's used to doing the bulk of the work herself, anyway.)
Two, though. Two are a literal and metaphorical handful. She often finds herself thinking it's just as well the Witch only promised them one, for both their sakes, and then just for his, and then she has to stop thinking about it. So perhaps it's just as well that she has two to distract her, now.
The poor, motherless things. If they're really motherless. She should stop thinking about that, as well, if only because she hasn't the first idea how to track down their parents if they are here, and it's not safe for her to reach out to those who might be able to help her. Maybe they are orphans. Either way, the best use of her time and energy is giving them the best possible care, so... that's just what she's going to do.
Alone, if she has to.
[ooc: so, Greta's gonna be watching these two tiny babies for about a week and presumably is not going to have much time for anything else, poor woman. But she'll almost certainly welcome visitors
Also, since this could take place at any time over the course of a week, just pick your date and put it in the header of your top-level for reference.]
August 31 (Saturday)
He is useful. He is non-disruptive. They should have no reason to act against him.
To be sure, he will make himself more useful, and he will aid ROMAC in stifling someone who is disruptive. Asadi is still at large, and of the two intruders she is the more dangerous, that he knows from personal experience. It does not take much work to uncover one person with a definite connection to the missing woman, nor to discover her location. Rashad turns up on Greta's doorstep on his first day off of the week, knocking primly on the door.
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... Oh. It's him. The man who hurt Rush at the party, who takes people's emotions. Rashad, wasn't it? Greta frowns up at him in general disapproval and weighs the odds of him knocking again, more forcefully, and rousing both infants if she were to just shut the door in his face right now. She wouldn't put it past him. And what if he were to attack her? Little as she likes the thought of being polite to him, she can't risk being rude, either.
After a moment's consideration, she decides to start with a coolly unenthusiastic, "Can I help you?"
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Ultimately, however, he decides that it's not likely she knows enough about him to call for immediate abandonment of his information-gathering efforts. "May I enter?" he asks, one arm already reaching up to rest against the door and prevent her closing it again.
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Surely he wouldn't hurt a child...?
Bea lets out another grumble, this time because Greta's holding her too close. She readjusts her grip on the infant, stalling for time, thinking. Her phone is on the table. She can't reach it without leaving him free to enter. There's a foot-long breadknife in the kitchen, too, but there's no getting to any of it without him getting in.
So. Let him in. Pretend to cooperate. Get the phone. The Balladeer is probably in the Park, but if she calls him out of nowhere and he hears nothing but a tense conversation between her and a strange man, he'll come. She's fairly certain.
"If you must," she says, taking a step back. Then, pointedly, "You didn't answer my question."
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"I am looking for Iman Asadi," he informs Greta, gaze locked on her face for her reaction.
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His question jerks her out of her silent self-recrimination, and a sharp spike of worry lances through her. Does he know? Did someone see Iman leaving her room that evening? She could have told the woman what an unacceptable risk she'd been taking by lingering in the building, and now look, here's proof: Greta's being questioned by this... whatever he is.
Thank goodness she doesn't have an answer for him.
It's just a matter of whether or not he'll accept the truth.
"Well, you can see she's not here," Greta says in a strained attempt at nonchalance. Bea grizzles again, and she rocks the child absently as she furrows her brow at Rashad. She should pretend not to have any idea what's going on - that's what Iman had said, right? "And you can see that I'm busy," she adds with a pointed nod towards the crib. "Why are you asking me?"
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"I did not expect her to be," he admits, attention back on the woman before him. "But it would seem you and she share a close bond. If anyone were to know her whereabouts, I would expect it of you."
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Bea's fussing at least proves useful. Greta has to keep moving in an attempt to calm the infant, so she starts to work her way towards the table, where her phone is resting. The Balladeer's on speed dial. If she can just pocket the device without Rashad noticing...
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"She is inclined to track your whereabouts," he points out. "Emphatically so, from my understanding."
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"I--I beg your pardon?" she stammers, frowning at him.
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As he speaks he steps closer again, aware that she is still wary of him and supposing it may prompt her to respond.
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And then, oh dear, he's coming towards her, and towards the baby. She steps back and to the side, eyes narrowed, not allowing herself to be steered away from the table. "I don't know where she is," she insists, "and I--I think you should leave."
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"I will leave once you have told me where Asadi is," he says flatly. "If you do not know now, you are capable of finding out."
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August 30 (Friday)
This isn't on purpose. He isn't avoiding her. He's just going about his usual business - playing in the park, walking around the city, stopping in at a few of the bars and cafes he's started to frequent. It's good, it's fun - and lately, it's all started to feel a little bit pointless.
It's all Johnny's fault, he thinks, possibly uncharitably. Things around here are perfectly peaceful except for him, and that awful lingering noise he calls a past. He'd been able to put it out of his head for a while, but seeing him again in the Ramble has brought it all rushing back, and he just doesn't know what to do with it. Back home, it was easy. He hadn't had much of a life, but he knew what needed to be done and he could do it. Now?
He spends two evenings inside, holed up in his bedroom and hoping fervently that the walls are soundproof as he gathers all his instruments around him, playing chords and scrawling out notes. In all his time, he's never had to write any music down...but this is all rather new, isn't it? He wants to think that if he could just work out what it's trying to say, what story is trying to be told, then he would know what to do. Johnny must be dangerous somehow, but he doesn't know how exactly, and he already knows the man's easily provoked to violence. That's not a novelty either, but here the Balladeer isn't the only possible target for an angry outburst. Casual prodding isn't an option.
But it doesn't work. Nothing makes sense. It's not even real music! He ends up crumpling his papers in frustration - and then, struck by the thought of someone unfamiliar with story-songs hearing part of this one, he burns them.
The next day he wanders down to knock on Greta's door. Today, he's without any instrument at all. He hasn't gotten a lot of sleep lately what with everything, and for once he's not quite feeling up to busking. Maybe chatting with someone who actually knows what's going on, more or less, will help him iron this out.
Alternately, they could just not talk about Johnny at all anymore. That could be nice too.
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Abbie, meanwhile, is starting to fuss in a way that Greta's fairly certain indicates hunger, which means warming a bottle without putting Bea down - or putting Bea down and dealing with the subsequent howling. What a day this is turning out to be.
She's half-expecting the knock that interrupts her one-armed fridge rummaging to be a ROMAC employee checking in to see how they're getting on. It's not, but it's also not an unpleasant surprise when opening the door reveals the Balladeer, instead. And he doesn't have any instruments with him, which means his arms are free.
"Hello - come in," she says with a warm smile, though there's a faintly calculating look in her eyes as she steps back to admit him. "Ever held a baby?"
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If his tone is faintly questioning, that's because he's very certain that he's about two seconds from holding a baby.
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"She likes to be walked," Greta says with a vague gesture towards the apartment's open floorspace, of which there is plenty. Her smile turns a bit sheepish - she did just spring a baby on him without any warning - and she adds, "If you wouldn't mind? It'd only be for a few minutes while I feed the other one. And she seems to like you." Fingers crossed on that, anyway. Bea doesn't seem to mind the transfer to a stranger so far.
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At her prompting, he turns to pace a slow circle around the apartment. As he moves, he bounces Bea slightly up and down, just because - it seems like something one does with babies? He's certain he's seen women do that with their children. "No, it's fine," he replies, keeping his eyes carefully on Bea rather than Greta. Yeah, she seems alright for the moment. "So...where did they come from?"
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It belatedly occurs to her that she didn't sound wholly convinced, and she adds, "That's what ROMAC has told me." A week ago, that would have been enough; now, she's not so sure. "And I suppose it's not impossible," she allows, frowning a little. It certainly wouldn't be the first time the Rift separated a baby from its mother.
But enough of that sort of thinking. She doesn't have time to mope, and she has company. Watching the Balladeer pace the apartment with Bea, she can't suppress a smile that's equal parts grateful and wistful. He's quite a natural (so how hard could it have been?). "Can I get you anything while the milk warms?" she asks. She can take care of all her guests, especially now that she has some help with the smallest ones.
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"No thanks," he replies absently. "I just...came by to visit, I guess. They just gave you two babies?" He's assuming Greta hasn't been petitioning them for Rift-children, so they just...what, knew she'd lost a child in coming here and assumed she'd be looking for replacements? How insensitive.
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There is a sort of sense in it - they know she knows how to care for young children, and it's not as if she has any other occupation at the moment. Maybe it wasn't the kindest request they could have made of her, and the twins are hardly a replacement for the son she lost, but... she had missed caring for a child, and beneath all the general exhaustion and worry for the poor things, some part of her is rather enjoying it all.
As Abbie guzzles away, Greta turns her attention to the Balladeer, noticing for the first time that he's looking a bit worn, himself. What's his excuse? "How have you been?" she asks, her tone going for casual and not quite getting there. "I haven't seen you since that mess with the curses."
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"How have you been? Aside from, you know - " He nods towards the other baby in her arms. "It's no wonder I haven't seen you around."
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Besides, the 'stuck' part is probably obvious.
Also obvious: the Balladeer isn't as 'fine' as he says he is. She considers his vague description of his own activities, a pensive little frown on her face, then tries a different tack. "It's, er… not always easy to adjust to having so much freedom, is it? Especially after being so settled, back home."
She's talking about herself as much as him. Granted, she didn't hop through time and space the way he did, but her days did tend to follow a pattern. And sometimes the repetitive grind of it all had driven her mad, but having no set routine is just as bad. At least she's used to this steady progression from day to day, which is more than the poor Balladeer can probably say.
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"I suppose not." He can be vague, but he's never really been one to hold his cards close to his chest. Balancing Bea on a hip, he comes back over to lean in the doorway of the kitchen, looking thoughtful. "I guess it's just starting to settle in that this is the way it is now." They'd told him, of course, that there was little chance of ever going back home. He hadn't even wanted to go back; he still doesn't. Still, he'd half-expected that it was going to happen anyway, because what else is there for him? Can they even get by without him?
Not that he's concerned for the assassins' welfare, of all things, but...well. It was his job. It was the reason he existed. And it's starting to become clear to him that all of that is over now.
It seems a silly thing to complain about, overall. It must be a lot worse for the people coming in from hundreds of years distant - or hell, for the ones who aren't human. He knows Earth, knows America, and is accustomed to handling different time periods. This isn't a far stretch for him. He's definitely much better off here than he's ever been!
He just. Doesn't exactly know what to do from here.
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But she's worked too hard to build the life the Rift took from her, and she can't just abandon it with a shrug and nary a backward glance. This can't be all there is anymore; she can't be doomed to live out the rest of her days in this bizarre sort of exile. To sympathize with his resignation would feel like admitting defeat.
"Well," she says after a moment, "if you're ever at loose ends in the near future, I'm sure I could find something for you to do here. You're good with children." She nods at Bea, who's slumped and dozing against the Balladeer's chest like a squashed parcel.
Abbie clumsily shoves the bottle away with a grunt, so Greta sets it aside and shifts the infant back up to her shoulder, absently patting her back as she considers the likelihood of the Balladeer being kept up nights by nothing more than his uncertainty over what to do with himself. It's hard to imagine. He's usually so optimistic.
"Of course, childcare doesn't usually lead to more sleep," she adds, her concern growing more pointed as another explanation occurs to her. "You're not coming down with something, are you?" Would he know if he was? Has he ever even been sick? Greta crosses over to him so she can press the back of her hand to his forehead, but he doesn't feel feverish.
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