bigapplesauce | Just a Few of Us [Open to Multiple]

Current Music: August 28th - September 3rd, 2013

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Just a Few of Us [Open to Multiple]

If it was just the one baby, Greta suspects it would be easier than it had been at home. She doesn't have to balance childcare with running a bakery, and her apartment is too newly-settled (and little-trafficked) to require anywhere near as much cleaning as a shop. And if ROMAC hasn't provided her with much in the way of human aid - there is a nursery she can bring them to when necessary, but it's busy and noisy and a few of the children there have alarming Rift enchantments to contend with, so she treats that as a last resort - at least they've given her all the material things she could need.

(It both helps and distantly rankles that she's used to doing the bulk of the work herself, anyway.)

Two, though. Two are a literal and metaphorical handful. She often finds herself thinking it's just as well the Witch only promised them one, for both their sakes, and then just for his, and then she has to stop thinking about it. So perhaps it's just as well that she has two to distract her, now.

The poor, motherless things. If they're really motherless. She should stop thinking about that, as well, if only because she hasn't the first idea how to track down their parents if they are here, and it's not safe for her to reach out to those who might be able to help her. Maybe they are orphans. Either way, the best use of her time and energy is giving them the best possible care, so... that's just what she's going to do.

Alone, if she has to.

[ooc: so, Greta's gonna be watching these two tiny babies for about a week and presumably is not going to have much time for anything else, poor woman. But she'll almost certainly welcome visitors ~~unless you're an emotion-nomming creep~~! If your character can finagle their way into the ROMAC base, feel free to have them drop by her apartment. If you can't realistically get into ROMAC but still want in on the baby-related redonkulousness, drop me a line and we can finagle a way to get her out into the Park or something.

Also, since this could take place at any time over the course of a week, just pick your date and put it in the header of your top-level for reference.]

Flat | Top-Level Comments Only

"Hurts!!" bleats Rashad, but for a moment it looks like he's going to cooperate, going so far as to rise up on one elbow. Getting up seems even more uncomfortable than staying on the floor, though (quite a feat considering he is already the most uncomfortable he has ever been), and the arm not supporting his weight comes up to grab at Greta's arm and hang his weight on her until either she lets go or she falls down on top of him, because either way it'll stop her pulling on his ear.

Good, she thinks; it's supposed to hurt. But it's not enough to actually get him onto his feet. What, has he lost all motor skills as well? Apparently so, because a moment later he's hanging what feels like his full weight off of her arm. She comes perilously close to falling on top of him, and is saved only by releasing his ear and planting her knee into his gut for leverage (an act that she commits with a bit more vicious enthusiasm than might be strictly necessary).

"Oh, for--" she huffs, disentangling herself from him and staggering back a pace or two. Door first, she decides. She'll prop it open, and then she'll just drag him out. And if the neighbors hear... well, maybe one of them will come and help her. She has a hard time imagining that ROMAC authorized him to harm the children they placed under her care.

The door is easy enough to handle. Rashad is a bit more difficult, and she spends a moment eyeing him as if he's a particularly nasty mess someone's tracked in before reaching down and grabbing him by the ankle. "You need," she grunts as she hauls on his leg, "to leave. Now."

Greta's in luck - Johnny happens to be in her neck of the woods when her text comes in, on a truly ill-advised attempt to acquire culture at the MoMA. Things are back to more or less normal with Gabe but he still feels the frequent itch to get out, wander, be alone. The museum was a nice idea but a definitive mistake. Everything feels too open, too haunted, and Johnny Truant is realizing that for an alleged artist, he really does not understand art.

He is inappropriately relieved to have an excuse to leave, relief that shortly turns to mild distress as the unusually urgent tone of the text hits him. Something is wrong. Why the fuck did she contact him?

Oh well.

It's a quick jog to the ROMAC Base, where he's been only the once, when he rescued Charley and the Doctor, and it feels odd to just walk in the front door, though it's just an office building, isn't it? It's fine. If they were looking for him they'd surely have found him by now.

He paces in a tight circle as the elevator rises to Greta's floor, the knot in his gut starting to tighten. What if something is really wrong here? What if he can't help her?

Then he'll pray.

He pushes his way out the doors and rushes down the hall - he can hear some kind of commotion, oh god, oh god, there's her voice, she sounds angry, and another voice he doesn't recognize, making a horrible fucking racket. What the shit is even going on.

Her door is open, which is even more alarming, so when he lunges in he's already yelling, "Greta, I'm here, what's wro-", stopping abruptly for the sheer effort of trying to process what is happening in front of his face.

Greta is hunched over the prone form of Rashad, there's a guy he hasn't seen in a while (and hasn't entirely missed), who is throwing a fucking tantrum.

There is obviously a distinct lack of context here, he finds it almost offensive in scope. How is this a situation he's been called into. Why. What possible reason. (It is still better than the MoMA.)

He stands there for a long moment, but fails to find an appropriate reaction. Instead he looks at Greta with an expression of open incredulity and says, "What is HAPPENING?"

Edited 2015-04-12 06:42 (UTC)

Rashad whines and curls up around where she jabbed her knee into him. That she has stopped trying to haul him off the floor is of ~~little~~ no comfort; he is free to stay where he wishes but that only frees him to writhe and groan and occasionally yowl, kicking vaguely as she takes him by the ankle and starts slowly dragging him toward the door.

"She won't stop pulling on me!" he blubbers to Johnny.

It's a surprise when Johnny comes charging in, but she doesn't have the wherewithal to be startled or touched; she's too busy being furious with Rashad. "We need to get him out of here," she says, looking over her shoulder at Johnny. "He--he ate the children. That's why he's acting like this."

And if they don't get him out, he might do it again. Considering how thoroughly he flattened Rush, she hates to think of what kind of state the babies might be in. Not that she can check until Rashad is gone. "Can you take his other leg?" she asks, nodding toward it.

"What?!" Johnny sputters at Rashad, how is that a problem for you, you are a giant man and maybe just stop flipping a shit, but that line of thought is disrupted in short order by Greta's follow-up, and his attention snaps back up to her. "What?!"

He turns and shuts the door sharply. This seems like something they need to keep the fuck contained. He spins back around and says, "Before I do ANYTHING I need more fucking information, he ate what children, what do mean ATE? What is going ON?"

He is very unhappy right now.

"UUUUUUUGGHHH," comments Rashad, sprawling wide on the floor and going limp. How many times is he going to need to explain? She's not listening to him! She never listens to him or gives him the things he wants! "I only ate part!"

Greta would much rather get Rashad out first and explain the situation second, but it seems she won't be so lucky. She lets go of his ankle and gestures towards the crib. "Those children. They were upset, and he--he took it, because that's what he does, he takes others' emotions and then mimics them."

Rashad gets a look of deepest disgust, and then she fixes Johnny with a more desperate stare. "But it, it hurts people when he does it, and I don't know badly he's hurt them, and I can't look to them until he's gone. Will you help me? Please?" The lad's smaller than she is, but at least they outnumber him, and Rashad doesn't seem capable of much at the moment.

"Wh..." Johnny looks at the crib, suddenly noticing it, suddenly realizing there are babies in the room, what the fuck, where did those come from, why does Greta suddenly have babies. Obviously they have not been eaten, which is good. The rest of what she's telling him catches up slow, and for a moment he can only stare, numb and bewildered, at the childish, unreasonable pile of man on the floor. Takes others' emotions and mimics-

Holy shit. Holy shit.

Things are starting to come back now, little things, weird moments from their past encounters, and it's starting to make sense now, how often he would get tired around this guy, how weird he always was, holy fucking shit.

His jaw sets. He opens the door again and steps over quickly, taking a moment to assess the situation, how dangerous is Rashad really, can he do them any harm like this, etc, and decides that he doesn't care. He crouches down and grasps the man awkwardly under his arms, trying to lift him up and only making it halfway, this fuck is heavy.

"You pull and I'll... heave," he says curtly. His sudden change in attitude toward this situation might seem odd, but then, maybe Greta can just chalk it up to righteous anger about this asshole taking baby emotions. Sure. It's that.

"Nooo -ooo -ooooooooo!" Rashad thrashes, trying very earnestly to be dropped. And that would be just like them to drop him, wouldn't it? "I'm waiting for Asadi! You promised Asadi! You promised!"

Dimly some part of him is aware that things are not going according to plan. It's not his fault, though, they're being so mean to him and everything is just so awful. "Hold me!" he demands even as he writhes to break Johnny's hold on him.

There's little chance of Greta questioning Johnny's motives; it's enough that he's willing to help. "Thank you," she breathes, picking up Rashad's ankles as if he's an ungainly, squirming wheelbarrow and tucking them under her arms.

"I promised you no such thing," she snaps at him as she backs him toward the door. "But you promised to leave, so that's just what you're doing." Not that he's making it easy for them, and it's a struggle to keep ahold of him as he flops around like a landed trout. But they are making progress - at least his legs are out into the hall.

"Dude, what is your problem?" says Johnny with exasperation, even though Greta's harried explanation of what he's done pretty well answers that. Why the fuck did he think it was a good idea to absorb the emotions of a fucking baby, or two of them apparently. God, this is so fucking sick.

"What the hell is a sadi?" he snaps just as the syllables connects in his head. "Wait, are you - is he talking about Iman?" He looks at Greta in confusion even as he continues to bodily shove Rashad through the door. He sure stepped into the middle of some kind of shit.

"Everything's uncomfortable!" blubbers Rashad. It's meant as an actual reply to Johnny's question this time, though it may get kind of lost in the unending, constantly modulating whine he continues to emit even when he's not speaking.

Greta is being terribly unjust, and he lets her know about it by stretching his arms out wide to wedge himself fast in the doorway as Johnny tries to shove him through it. Freudian crisis or no, he's still plenty strong enough to latch on to the door frame and halt their forward progress. "YOU PROMISED!"

"I said I'd try," Greta hisses at him. Now that Johnny's here, she's less inclined to kick up as much of a neighbor-alerting fuss. "I never said I'd do it. Now let go of that door, you--" she pauses a moment, searching for something appropriately scathing for someone who has emotionally regressed to infancy, then concludes, "you're being very naughty."

"Christ on a bike," says Johnny, drops Rashad's shoulders and delivers an unforgiving kick to one of his hands, trying to dislodge it from the door frame. "When does this wear off?" he asks Greta, since she seems to know more about this than he does.

Rashad howls and yanks his hand away, curling it tight against his chest to protect his fingers against further attack...but not letting go with the other one. "I'm a good boy!" he protests, legitimately weeping now. "I'm -- I'm goo--oood--!"

"I have no idea," Greta says, wincing a little as Johnny kicks at Rashad's hand. It's Rashad's response that surprises her most, though - honestly, she hadn't expected her desperate scolding to garner such a response. He's actually crying.

Perhaps there's another way to go about this.

She drops his legs, to the collective relief of her arms and back, and deliberately swallows her fury and revulsion as he slumps back down to the floor. Raising a hand towards Johnny in a silent request to wait, she crouches down next to Rashad's prone, writhing form. "That's right," she lies in the most soothing tone she can muster. "You're a good boy, Rashad. So why don't you get up like a good boy, and come with us, and we will... take you to Iman."

Her actual plan involves shoving him into the nearest elevator, hitting the ground floor button, and letting him become someone else's problem, but it will go much faster if he comes willingly.

Greta's sudden new tactic is definitively the most alarming thing that has happened so far. Johnny straight up drops Rashad when she crouches down beside him, straightening up and staring at her, fully aghast.

"What are you doing?" he says thinly. The logic of it is distantly available to him but he's having trouble getting over how weird it is.

"I am a good boy," snivels Rashad, incapable of being truly mollified by Greta's agreement. He's getting what he wanted, but it's not enough, it's never going to be enough and she doesn't really love him but he's a good boy and she needs to know that. "I want to go to Iman," he agrees, turning his face to look up at her with red-rimmed eyes as he wipes his nose on his sleeve. If his gaze flickers to Johnny it's only for a moment; it's Greta he needs to get him the things he wants and make this all better.

"I am doing," Greta says slowly, struggling to keep her tone low and even, "what needs to be done." Hopefully Johnny will comprehend the 'so don't ruin it' that she can't add aloud, not without risking Rashad's suspicion. The children's emotions seem to have made him a bit of an idiot, but she can't assume he's completely dense.

She shifts her focus back to Rashad, taking his arm with relative gentleness. "Isn't that right?" she prompts, giving him a little tug to urge him back onto his feet. "You want to find Iman, and you want me to help you. Up you get, come on."

Yeah, fine, all right, but that doesn't make it not weird. Johnny just stands there, visibly unnerved as Greta openly lies (at least he assumes she's lying, she wouldn't really be about to just send him to Iman for whatever bullshit reason he has) in a disturbingly maternal tone.

There's something a little too on point about it, really.

He swallows thickly and steps back forward. "Yeah," he says, reaching out to gingerly pat Rashad on the shoulder. So helpful.

Rashad stumbles to his feet, uncoordinated but able to find his footing and stay upright with a bit of effort. He's still sniffling to himself, shoulders hunched in, and he hardly seems to notice Johnny's apt reassurances. "I want -- I want to help," he blubbers. "I have to find Iman because I have to help, you have to help me find Asadi!"

It's working. It's terrible, but it's working, and far better than their first attempt to just haul him out. Greta pats Rashad's arm with a trembling hand as she guides him towards the elevator bay. "Of course," she says with strained sympathy. 'Help,' indeed.

Then his words catch up to her, and she glances up at him in surprise. Did ROMAC send him here? Or has he just heard that they're after Iman, and now he's trying to ingratiate himself by fetching her for them? Based on what he did to the children, and how poorly his whole interrogation has gone, she makes a not-so-wild guess and ventures, "And I'd bet they didn't even ask for your help. But you're helping them anyway, because you're such a--a good person."

What is going on. Johnny frowns tightly at the thickening plot implications of what they're saying to each other, at least whatever he can make out behind the layers of bullshit and irony, but whatever it is, he doesn't like it. They might be ROMAC, and if Iman's gotten in trouble with them, well... he barely even knows her, they had drunken sex once and she knows a lot of his friends, what's he supposed to do? It was stupid enough when he went in to save Charley having met her a grand total of twice, and he doesn't have to power to do that anymore. He could tell Gabe something's up, but he's not sure he wants to incite Gabe to go back there, not after everything he went through before.

Well, all he can do now is walk on the other side of Rashad, keeping tentative, uncomfortable contact in case he decides to descend again, keeping a suspicious eye on them both. Just get him in the elevator and then he can ask Greta what the fuck is going on. That he can handle.

"I am so good!" agrees Rashad tearfully. "No one knows how good I am! They don't know how much I can help and it's not fair!"

They're making relatively good time now. Get to Asadi. Get to the elevator, go downstairs, get to Asadi. Tell ROMAC where Asadi is, be recognized as the authority figure he should be. Get much less uncomfortable clothes and find somewhere that's not so bright and irritating. Find someone to hold him.

All important goals right now.

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